The B-Fest Diaries, Part One

I think the hardest thing about writing this diary will be the fact that nothing really dramatic happened this year. Everything ran more or less smoothly, with very little trauma.

Now, having said that, allow me to waste a few thousand words on the nothing that happened.

In every other year in which I’ve made the trip to sunny Chicago (sunny as in causing snow blindness), I’ve gotten up way too early on Friday morning, hopped on the plane and got to Evanston’s Northwestern U. campus barely in time, already sleep-deprived even before the 24-hour movie Iron Man Marathon that is B-Fest. This year was different.

I flew up on Thursday, making a connecting flight in Nashville, where I ran into Joe Opposable Thumb Films Bannerman and his lady Tina, whom he had somehow managed to talk into coming. Her weekend seemed to be a combination of dumbfounded horror and exhausted catatonia. Waiting for me on the connection was Chris Holland of Stomp Tokyo, who recently transplanted to Texas.

A pretty uneventful flight, on both legs. I had already devoured the three magazines I had brought, waiting for my flight in Houston (arrive two hours early for security checks, yeah right), but fortunately for me, Chris is a good conversationalist. The attendant came by with whatever snack-like thing they were dispensing, either peanuts or pretzels. I put mine in my carry-on bag, explaining that I always save them for my son. Silently, Chris handed me his snacks – that’s the kind of guy he is.

Upon arrival at Midway airport, we had about a half-hour to wait for the other half of the Stomp Tokyo machine, Scott Hamilton, flying in from Florida. Hey, look, a bar! I’m on vacation, time for a beer. After Scott’s arrival, we picked up our luggage, shuttled over to Alamo for our rent-a-van, and tried to find something to eat.

This proved confoundingly problematic, as the route we had taken seemed to have nothing but McDonalds and multiple instances of something called Shark’s Fish & Chicken. We rued the fact that Midway had a Superdawg right next to our landing gate, yet we did not avail ourselves of it. Your stupid minds! Stupid! Stupid! We finally settled on what seemed to be a family-run pizzeria and pasta restaurant, which was quite good.

After dropping off Joe and Tina at mass transit to do “some tourist stuff”, the tech-savvy Chris fired up his GPS unit and we began the journey to the domicle of Ken Begg, the evil mastermind behind Jabootu’s Bad Movie Dimension and, for all intents and purposes, B-Fest’s unnofficial Ambassador of Good Will. Ken had already picked up another B-Master, Will Braineater Laughlin, at O’Hare, so we settled in to get acquainted and kill some time until we met some of Ken’s friends, Paul and Holly, for a traditional pre-B-Fest dinner at Jameson’s, a very nice steak house.

Ken, however, was simply waiting to spring his trap on us. He had a terrible Indonesian action film called The Stabilizer warmed up and on standby. He feasted merrily on our dismay and befuddlement at a land where every building is rendered drive-thru by use of motorcycles, cars and forklifts driving through walls, and every house is insulated with dynamite. I think Ken is preparing his own review of The Stabilizer, so I’ll go no further, except to add that it is one of three movies I immediately tracked down after getting home. Well, immediately after about 11 hours of sleep anyway.

The Stabilizer was chased by Attack of the Supermonsters, a bizarre concoction of puppets, stop motion, and anime, which was a lot like porn; for about three minutes, I thought it was the best thing ever, then for the remainder of the running time, I wanted to beat everyone even remotely connected to it with a hammer. Chris had given Scott a DVD of this; he also gave me a copy of Legend of the Sacred Stone, a martial arts movie featuring puppets, of which I am (not unreasonably, I believe) afraid.

After a good night’s sleep, we busied ourselves Friday morning with running errands to supply ourselves and the legendary Tower of Snacks. We arrived back at Casa Begg to find Ken’s pal Jeff Witham cramming the Tower and other stuff into his van, considerably lightening our load. A trip to the equally legendary Superdawg to fortify ourselves with protein for the ordeal ahead, and then it was time to journey to the Norris Student Center, unload our supplies, and surrender ourselves to the B-Movie Gods, to take us where they pleased.

To Be Continued.

I’m Baaaack

And what better way to celebrate my return from B-Fest than to take a rather useless movie quiz (via a posting from Prawn Bites) to discover that my favorite kind of movie is:

You scored as Sci-Fi/Fantasy. Depending on the movie this might not deserve a “Congratulations”, but you’re interested in the future and imaginary worlds far from your own. You probably wish you could be somebody else, or live in one of the worlds from your favourite movies. Check out: Lord of the Rings, Spiderman, Star Wars, The Matrix.

Sci-Fi/Fantasy
95%
Mindfuck
90%
Mindless Action Flick
85%
Artistic
75%
Sadistic Humour
55%
Romantic Comedy
25%
Drama/Suspense
25%

Movie Recommendation.

created with QuizFarm.com

Also, as far as my previous whinging about B-Fest and my fear of crowds: Thanks to cool heads prevailing among the staff of A&O Films, the place never seemed crowded, and even if it had, I should have realized: I was among friends, and that makes all the difference in the world.

Prep Time!

I’ll be spending most of today trying to wrap things up and pack things up for this weekend’s journey. I’ll be flying up to Chicago tomorrow morning that I may enjoy 24 straight hours of marginal fare at Northwestern University’s annual B-Fest.

It’s a time of conflict for me. On the one hand, there’ll be people I only get to see once a year (if that); visiting with them is my favorite part of the trip. The dark side is the increasing popularity of B-Fest; last year’s sold out a half-hour after the doors opened, and this year the event sold out the day advance tickets went on sale. I have a nervous condition, apparently inherited from my grandmother, which renders me very claustrophobic in crowds. It will be time to, as we tell my son so often, “Cowboy up.”

See you next week, if I survive.

The Brave Archer Huh-ology

I’ve now finished what has been referred to as “The Brave Archer Trilogy” with more than a bit of confusion. Mainly because it turns out it’s not a trilogy.

The Brave Archer movies, directed between 1977 and 1981 by Chang Cheh, are based one of those million-page Chinese novels I keep hearing about , Eagle Shooting Heroes. It seems at least half of the wuxia movies ever made are based on Eagle Shooting Heroes (a slightly less bizarre translation is Legend of the Condor Heroes), or at least use it as a template. I should probably try to dig up a translation at some point, if only to find out how well the movies follow the book.

Though each movie does rather wrap up one of the conflicts laid out, there are still plot elements unresolved from picture to picture, leaving the viewer with an Empire Strikes Back sort of denouement. The movies are one damned thing after another with a bewildering roster of colorful characters – anyone who read Jademan comics during their too-brief American run knows what I’m talking about.

So having heard about the trilogy, I settled in with the new remastered Region 3 discs from IVL, expecting some sort of closure at the end of Brave Archer 3, only to find… I was out of luck, and movie.

Alexander Fu Sheng, playing the lead character (even if he never engaged in any archery), died in a car wreck in 1983, in the midst of making Lau Kar Leung’s 8 Diagram Pole Fighter. There is a Brave Archer 4, with Andy Lau substituting for Fu Sheng, but IVL does not have it on their release list for this year. Admittedly, that list only goes through March, but… I rather wish, since they released the three Fu Sheng movies in a row, that the 4th would have followed thereafter.

Or that I knew where I could get a copy of Legend of the Condor Heroes.

I don’t want to give the impression that this diminished my enjoyment of the movies in any way – though it might have had I known I couldn’t get the full story arc going in. There’s the usual Chang Cheh exterior sets everywhere (like a kung fu flick filmed on the Ponderosa), but there’s also the usual hyperbolic Chang Cheh fight scenes, and the cast is like a Who’s Who of Shaw Brothers flicks. I spent entire scenes thinking, “Wait… isn’t that…?”

IVL, you’re gonna get my money sooner or later. For my satisfaction, though, I definitely wish it was sooner.

More New Stuff

I was so busy caressing the shiny new box of Forever Evil that I forgot to mention that I actually finished the review for the Bad Movie Report that had to be put aside for most of the month. Ghostwatch is now on the air, so to speak.

As a not-so-closet Anglophile, I dearly love British takes on the various genres – familiar enough to be comfortable, but just culturally different enough to be strange and exotic. This is the 1992 television production that caused a War of the Worlds-type panic, and is a fun view both as entertainment and technical achievement.

It’s a shame it will never see an American release, especially since the BBC appears to have disowned it, so I don’t think it will ever show up on the BBCAmerica cable channel.

Brave Archer 3 on the player tonight. The protagonist still hasn’t touched a single item of archery, in any form.

Look, Ma! I’m a Moviemaker!

I don’t know if this is good or bad news – as mentioned by BeckoningChasm in yesterday’s post, my crappy little horror movie, Forever Evil, has finally appeared on DVD. This was first promised something like four or five years ago, in an ad in Videoscope magazine. Now it has come to pass, in a two-disc version no less, featuring a 5.1 Dolby remix and a “Restored Director’s Cut” that also has a commentary track by yours truly, and the movie’s director, Roger Evans.

No, before you ask, the commentary track is not nearly two hours of Roger and me saying, “I’m sorry,” over and over again.

Amazon dropped the ball, as far as getting a copy to me (yes, I had to buy my own copy). Props to Digital Eyes, a nice little company that has never failed me, for getting a copy to me in only a couple of days. It’s ridiculous how giddy I was, pulling that box from the mailbin. I’ve calmed down somewhat since then, but it was an undeniable rush.

Listened to a bit of the commentary, to make sure I didn’t sound like a total dork (the jury’s still out). Fun fact: all those pictures in the Photo Gallery? I took ’em. Ditto for the photos on the back.

A startling discovery: the Director’s Cut has the original score by Houston artist Maryann Pendino, which I had thought lost to the ages.

Of course, all this really means, besides the realization of a couple of my self-aggrandizing fantasies, is that it’s going to be open critical season on me all over again. If I ever need to come down to earth, all I need do is look at the user review sections of Amazon and the Internet Movie Database: those will knock you off a cloud very damn fast.

Incidentally, when I am famous, I’m going to take out a full-page ad in every major newspaper in America detailing the difference between “Premiere” and “Premier”. That’s just dumb.

It’s Heeeeeere….

AAAAAA! RUN!!! Posted by Hello

Look! New Stuff!

Ah, crunch time. You gotta love it. Or you’ll be tempted to blow your brains out.

I handed in what are theoretically the final versions of the scripts for Project One last night, and in celebration wrote a review of M. Night Shyamalan’s The Village for 50 Foot DVD. Then I did something I haven’t done for quite some time: watched a movie without the intention of reviewing it. The movie was Chang Cheh’s The Brave Archer, so I didn’t got totally mainstream on you.

It was enjoyable, in that comic book “world of martial arts” kind of way. I’m surprised that more comic book geeks don’t embrace these old school kung fu flicks, as they resemble nothing less than groups of superheroes in constant conflict. Brave Archer even has the obligatory “super heroes meet each other for first time and mistakenly fight” bit.

There are three Brave Archer movies, and given that only one plot thread is resolved by the end of Part One, apparently it was always intended to be that way (especially since our title character has yet to even put a hand to a bow or arrow). I’ll hopefully spend the rest of the day (with the exception of Lost tonight) working on a long-delayed review for my other website, which was rather brutally back-burnered to accomodate last-minute changes and brainstorms on Project One. I’m soon going have to take up the trouble-shooter hat for the way-behind-schedule Project Two, but for right now, I get to spend some time with a semi-obscure British TV show and Alexander Fu Sheng.

Ah, it’s like a vacation, except I still have to answer phone calls.

And What IS the News from Twin Peaks?

Just to prove what a desperately geeky life I lead, this story at TVShowsonDVD.com: Twin Peaks – It sounds like we’re finally making progress! – makes me happy. Of course, I’ll still stop watching after the episode where they wrap up the “Bob” storyline, and pretend the series had the good grace to end there.

Of course, though this alleged DVD box set won’t allegedly ship until late 2005 (when the rights revert from Artisan to Paramount), I’ll still have my laserdisc box sets to keep me warm.

Of course, I still have that shrinkwrapped VHS box set that has the whole series at SLP speed.

Of course I still have the videos that I taped off Bravo.

Of course, I still have my tapes of the original broadcast.

Of course.

Bigfoot vs. Hitler’s Head

It’s probably sad how much time I spend reading leftist blogs these days; but a refreshing change of pace in my rounds of Blogistan is Teleport City’s Enchantment Under the Sea, the blog of Teleport City‘s Keith Allison, which he recently overhauled to tell tales of “strange events in my childhood”. These are highly entertaining stories of a simpler time – the 1970s. And I never thought I would be referring to the 70s as “a simpler time”. Get in on the beginning with “Hitler’s Head” and continue through the two-part, nearly-epic “In Search of Bigfoot”. This is good stuff.

I should also mention, while I’m in the neighborhood, that I managed to cadge enough time from putting out fires and making sure educational software doesn’t suck too badly to update Attack of the 50 Foot DVD with a review of Paramount’s disc of the 1985 Joe Dante flick Explorers. Not that this was an astounding achievement – it wasn’t like they gave me a whole lot to talk about.

Hopefully there will be no more fires for a while so I can actually write the article I’ve been meaning to for The Bad Movie Report since, oh, early December