This is (not) so exciting

Spent yesterday from about 8AM to Noon in traffic court. Life can get tedious when your last name is near the butt end of the alphabet. The constable was really really busy that Sunday morning in July – our docket spilled over into the next, there were so many there – and many more who did not show up.

Though I have to say, compared to other such episodes in my life, it wasn’t too bad. Though I had been warned this courthouse annex was in “a bad part of town”, it wasn’t, really, and the staff was genial. They helped make the old making-the-best-of-a-bad-thing easier, and for that, I thank them.

Phone tag with a case worker from the Texas Workforce Commission finally bore fruit today, ie., we actually talked to each other. She had a few questions about my termination. Considering that I just gave Harris County my last hundred bucks, I’m hoping this will finally result in my unemployment coming through.

I hate being desperate.

My job applications have gotten a lot more scattershot, in the hope that something will shake loose. I haven’t quite gotten to the point of applying where I’m obviously unqualified, but when you find yourself reflecting on the one month back in 1993 when you used Pagemaker, and wonder if that constitutes “experience”…

Is it any wonder I’m chewing my way through Banacek? He’s the smug, successful bastard I wanted to be when I grew up. Alas, I have only three episodes left, and then my collection will be complete, as it were. I’m finding the first season better viewing, if only because the solutions to the impossible crimes are more credible than the often rococo methods of the second season.

Also missing from season one is Carlie Kirkland, played by Christine Belford. Kirkland was another insurance investigator, and was apparently conceived as a love interest for the womanizing Banacek, but the writers could never really figure out what to do with her, at one point even marrying her off to another insurance investigator. Considering that a couple of times so far in Season One, Banacek has appeared to be pretty serious about his liaisons – the Margot Kidder character in particular – the episodic nature of the series does make the investigator seem pretty cavalier about his relationships, as none of the guest stars ever return. I can see Kirkland as a counter-balance to that – not that the womanizing and parade of hot 70s chicks ever stopped.

There. I feel better now. Holding forth on subjects absolutely nobody else cares about does that for me.

I’m old (as if you needed confirmation)

No classic of cinema last night. Banacek.

I discovered the budget-priced season sets for Banacek some months ago, each with the “TV Guide” logo. One for each season. I first stumbled on the second season, then later started looking for the first… so I’ve watched the seasons backward, too. I finally started the first season last night.

I remember watching most of the NBC Mystery Movies with variable interest. I don’t remember much about McCloud or McMillan and Wife, but I do remember Banacek and Hec Ramsey, which starred an exceptionally grizzled Richard Boone as an old west lawman who utilized then-newborn methods of criminology, including the Bertillion Method… identifying people by the shapes of their ears.

But Banacek… ah, he was my favorite. Not only was George Peppard playing the coolest man alive (had James Coburn played the role, it would have reached a level of coolness that would have caused atoms to split), but he investigated impossible crimes.

For instance: last night I watched “Let’s Hear It For A Living Legend”, in which a star NFL running back is tackled, buried under a pile-up of opposing team members, and when the players get up – the running back is gone, leaving only his helmet.

As a freelance insurance investigator, it was always Banacek’s job to figure how incredible things like that were accomplished, and half the fun was trying to figure it out before he did – though admittedly, the first time I did back in the early 70s, it really killed the rest of the episode for me. In fact, I never saw the whole episode until I watched the Season Two set.

My first viewing of these is far enough in the past that I am occasionally surprised, though I note with a bit of satisfaction that in those instances, there’s usually one part of the solution that stretches reality.

The other part of the fun is watching the writers try to deal with the early 70s. Banacek is definitely a lady’s man – suave, secure, and as I mentioned before, sooooo cool. Women repeatedly throw themselves at him, and I can imagine the scribes at their manual typewriters, thanking God for Women’s Lib, so they didn’t have to be subtle with it – they’re liberated, they can be brazen about it. Or at least as brazen as TV would allow the hussies to be!

And my word, the B-movie greats that have made guest appearances. Scott Brady, Martin Koslek, Anne Francis, Candy Clark, Don Stroud, Eric Braedon, Cesar Romero, Don Gordon, Andrew Prine, Sterling Hayden, John Saxon…. and that was just season two. Apparently I have Margot Kidder, Ted Cassidy and Broderick Crawford ahead of me.

Man, seek and YouTube shall find:

On the other hand, I can’t get into Matlock, so maybe I’m not that old.

Okay, yeah, Monster Squad…

…is coming out on DVD the 24th. There’s another laserdisc I can retire. But…

…is it so freaking hard to figure out that “Gillman” has TWO FREAKING L’S??!!

Now, for YOUR Past

My current nostalgic leanings take me in all manner of diseased directions. For some reason, I was nudged into recalling the two weeks that the Spongmonkeys were viral:

Yeah, go ahead and hate me now. I probably deserve it.

LATER: But you know what? Slate agrees with me. So nyaaah.

Close enough to a vacation

It should come as no surprise to anyone who read that last blog entry: I needed a change of scene, and I needed it pretty quickly. Just like last January, when I was considering physical violence against one of our more overbearing patients, when the tonic proved to be B-Fest – it was time to go elsewhere entirely and watch some questionable movies with others of my ilk.

Time was, June was the time to visit the New Orleans Worst Film Festival. Besides being a little easier on the body than the Iron Man competition of B-Fest – NOWFF was 12 hours, as opposed to 24 – it was New Orleans, for God’s sake. Alcohol! Jazz music! So our spouses were usually more than willing to come along.

Well, NOWFF shut down shop a couple of years before Katrina burst the levees, and we were left without a midyear get-together. back in 2005, several of us organized one, dammit, and called it T-Fest. An obvious homage to B-Fest, the T seems to rather obviously stand for Texas, but actually stands for Tyrannosaurus. Yes, Tyrannosaurus Fest. Shut up.

No tickets, no T-shirts, nothin’ like that. Just a bunch of friends throwing movies at each other. It moved up to Dallas to more cost-effective and slightly more swank surroundings, and so I found myself motoring up I-45 with the music cranked too high.

Ken Begg, master of Jabootu’s Bad Movie Dimension, was in charge of the scheduling, and wisely enough placed the …well, boring… entries early in the day. One of his own choices, Curse of Bigfoot, started things off, and it was stultifying. An opening appearance by a monster (puzzlingly wearing an Edwardian button-down jacket) proves to be a monster movie a high school teacher is showing to his class. Then he tells a story about an encounter with Bigfoot that eats up another three hours, then his special guest shows up to tell his story. It has to be one of the clumsiest anthology movies EVAR, with the only interesting facet being that the third, and longest segment was actually filmed some years before, making it one of the better period flashbacks, if by default.

But a guy wearing a bathmat is still a guy wearing a bathmat, no matter what decade.

I could have sworn I had already mentioned to Ken that I really didn’t need a new reason to hate him, but he delivered, nonetheless. Especially by slipping in a story from another dismal anthology film, Encounters With the Unknown, which blew easily 90% of its budget hiring Rod Serling to do voiceovers.

Sandwiched between these two slices of ennuic hell was Passion in the Sun, aka The Girl and the Geek, chosen by our host, Sandy Peterson (of Call of Cthulhu RPG fame and some little thing called Doom). An early 60’s B&W nudie, this was supposedly “shot south of the border”, which is true if one means the Oklahoma border. Several of us were identifying local (to us) scenery. “That’s downtown Houston!” “Now they’re suddenly at the Seawall in Galveston?” “Waitaminnit – now they’re practically in Tomball.” There were some fairly intolerant remarks made about the women taking off their clothes, though I found them mostly attractive. Just remember: pretty kidnap victims will always pause in their breathless escape to make a leisurely skinny dip in a handy stream.

This is available on the Something Weird Godmonster of Indian Flats DVD, which I know each and every one of you has in their home libraries.

Next, Chris Holland presented Funky Forest, a Japanese omnibus of loosely interconnected short films. Clocking in at 150 minutes (with an intermission), this was… well, Funky Forest. Some parts were merely befuddlingly dull, some were funny, some were peopled with disturbing creatures that doubtless have David Cronenberg muttering, “Damn… why didn’t I think of that?” But I never had any idea what was coming next. Which, for me, was saying something.

That was generally chosen as the one that broke everyone. Wusses.

After a lengthy dinner break (and trip to Trader Vic’s), the fare turned to fairly more lively cause-and-effect. Cleopatra Jones starting the evening, followed by one of my choices, the 1932 Mask of Fu Manchu – which was short, though no one seemed to find the early 30’s jingoism as hilarious as I. Come on: Boris Karloff shouting “Kill the white man! And take his women!“…and people took this seriously?

Blood Car was found by Chris on the festival circuit, and it was a surprising, and very entertaining, independent flick. Set in the near future… “two weeks from now”… when gas hits $32 a gallon and no one drives, a vegan attempts to invent a car that will run on wheatgrass juice. But being a horror movie, he accidentally discovers it runs even better on human blood. It’s a pretty typical setup, but the path writer/director Alex Orr takes to tell the story is not. This really should get a general release, and I’m surprised I’ve not heard more cult film buzz on it.

Next up was my second choice, the Shaw Brothers king-fu flick Kid With the Golden Arm, one of my absolute favorites. Despite the fact there is very little plot to get in the way of the fighting, people were nodding off at the late hour, and when the climax of one of my favorite fight scenes garners the comment, “Well, that was just silly.” I pause to remind myself that it took me several years to “get” the heroic bloodshed genre, and leave it at that.

We were supposed to wrap up with King Dinosaur, but a certain DVD vendor dropped the ball on delivery and we settled for Yonggary, Monster from the Deep instead. Which I think was good, as King Dinosaur, as I recall, was more of a piece with Curse of Bigfoot (“Rock climbing, Joel… rock climbing.”).

Then came the sleep of exhaustion, a massive breakfast prepared by the lovely Mrs. Peterson, and a far too lengthy drive home. I stopped briefly in Huntsville to check out my alma mater, which I had not done in ten or fifteen years. That was a mistake, as it only made me feel older and instilled a strange yearning in my soul, one that I keep holding up to the light but still cannot discern its exact source or dimensions.

I shall simply chalk it up to misplaced or misremembered nostalgia, and get on with my life – after all, I have a despicable job to get back to, made a little more tolerable by my sojourn back to the valley of the B.

The Ghost Rider Movie…

…was actually not bad. In fact, it was pretty darn good. It is my son’s new favorite movie, though I can’t say I agree with him that it is worthy to replace The Empire Strikes Back in that regard.

I have a few minor cavils with the casting, and there were a couple of points I had to go “Oh Script! You minx! You just took the easy way out, didn’t you?” But I will also say that it had one of the Most Truly Frickin’ Cool Things I have seen on a big screen in a long time, and for a few moments in that darkened theater, I was eight years old, too.

Though I was most certainly not eight when the new trailer for Grindhouse played. I wasn’t 16 again, either, much as I’d like to say I was. I was an appreciative near-50 thinking, “Damn, they even got that guy to do the narration!” Nice to know he’s still around. No, really, if the Grindhouse trailers got any more perfect, I’d have to make sure I hadn’t died and gone to some crap film fan’s version of heaven.

So…between Ghost Rider, 300 and Grindhouse, it looks like I’ll break my string of only going to one movie in a theater per annum. Maybe this actually is the year I finally stick my head out of my spider hole and start making a noise in The World again.

Melllllllting….

Last night we celebrated my wife’s birthday by eating out, and it is only for the woman I love that I will endure a half-hour wait at a steak restaurant.

Today, however, my day has been spent repairing the power adaptor for my laptop AGAIN while we wait for the replacement to be shipped, and doing my (urgh) taxes. Even though they are simpler this year than in those past – yes, there is an upside to doing the Hated Job to the exclusion of everything else – it’s still too complicated to finish off in an afternoon. I feel my brain approaching meltdown. Perhaps some kung fu is called for.

Oh, wait, I already did kung fu this week.

Jet Li’s Fearless is a pretty good movie, particularly if you’ve never seen any of the Once Upon A Time In China flicks. Some of the same ideas are covered, except that Li starts out as a character who is less than likable; a nice redemptive arc is drawn through all the butt-kicking. And because I’m still impressed that I can do this, here is the trailer:

In the featurette, Li supposedly goes over why this is his “last martial arts epic”, which boils down to bad philosophy espoused in most of them, Fearless presents his philosophy; His age does come up, early in the doc. A number of injuries over the years are doubtless taking their toll.

I wish I could give Fearless a breathlessly enthusiastic review, but I can’t, for a reason Li also enumerates: there are only so many ways to stage a fight, so many ways arms, legs and heads can move and make contact. The wirework and CGI are both kept to a minimum, and Li’s abilities are unmistakable; ironically, it is the realism the filmmakers were striving for (well, for the most part) that seems to get in the way of my enjoyment of their work.

Good movie, though. Not necessarily great, but very good.

CULL-cha

It came to my attention during B-Fest that not everyone is aware of the magic of Charlie the Unicorn.

Better to light a candle than curse the darkness, I says.

You can check out more at FilmCow.

Crap.

So it has come to my attention that Nigel Kneale has passed on to the Great Beyond. Creator of Quatermass, author of literate horror scripts, a man whose writing was of the quality to which one aspires.

Sigh.

Entertainment-wise, I’m finally starting to go through the second season of the new Doctor Who. Any concern I had about new Doctor David Tennant were washed away in the first five minutes of the first episode, New Earth.

The NBC series Heroes was a delightful surprise, since TV does not exactly have a stellar track record on the subject of superhero-ing – but dang if I don’t look forward to Mondays now. Sadly, I also know they’re about to hit the end of their shot episodes, since nobody films a full season’s worth of eps anymore, and I’m going to have to go without for a while.

Speaking of “going without”, the Web backlash against Lost seems to be building a good head of steam; then again, I also realize that this is the Internet, and finding something positive on chat boards is about as extraordinary as discovering your cat can whistle. Mine, for instance, cannot.

I do find myself cool upon this third season, a season the producers said would move away from “mythology” and more into “adventure”. I liked the mythology. I’ve always been more “along for the ride” on Lost, anyway, devoting very little time to theorizing, and more on “Well, i wasn’t expecting that.”; thus my sense of betrayal seems less than others. I’m willing to give the next two episodes (before they go on hiatus) a shot before using phrases involving “jumping” and “sharks”, but… it’s been a while since the show has made me say, “Well, I wasn’t expecting that…”

How much bad can fit in a week?

So. In one week – hell, just the space of a few days – Buck Owens. Dan Curtis. Richard Fleischer and Stanislaw Lem.

Christ.

Not helping my general stressed-out funkedness last week was my ancient habit of watching movies that everybody says are horrible, hopefully finding the buried heart within, erratically beating and gemlike, being able to honestly say, aw, this ain’t so bad. That’s often the case, anyway.

Lately, though, that practice has bitten me on the butt at least twice. The first time was Alexander, and most recently – last Sunday night, in fact – I thought it was time to finally give Van Helsing the fair shake it deserved. Truer words were never spoken, by which I mean deserved.

I hereby admit it: you were all right. Van Helsing is an awful movie. It’s not even a good awful movie. It doesn’t even present the mesmerizing spectacle of a train wreck: it is just… awful. Pretty, but awful.

Given my love for the source material, I suppose this angry dismissal is understandable, but no less dismaying to myself, the guy who has nice things to say about Robot Monster. I could reproachfully insinuate that I dislike the movie because of that love, but given the general opinion of the flick, no, this is not some misguided loyalty – it is a sad and colossal failure, and I should have listened to you.

This time.

A reaction like this is almost grist for that other, dormant Web project of mine, The Bad Movie Report, but that would mean actually watching the thing several times. Were it not for the near-universal disdain this movie engendered, I would truly suspect that it is the cavalier attitude toward what is, for me, a personal mythology, that so fans the flames of my dislike for the flick. But I’ve seen any number of, say, Italian or Mexican takes on this material that were light years away from being this slick, but that I enjoyed nonetheless.

It comes down to, I suspect, bad storytelling; I also suspect that anyone new to the Universal mythos might be totally lost at sea (I could be wrong on this point, however). I think it’s because I’ve not been given a reason to care about anybody. Breakneck story speed has not allowed a chance to develop an attachment for anyone, except, as usual, the Frankenstein Monster. And it seems an entire generation is going to grow up thinking that Mr. Hyde was the Victorian equivalent of the Incredible Hulk.

Alan Moore made that work. On Paper. In film, it seemingly has become a given. Two movies, I realize, do not constitute a trend, but when you’re as bruised as me, it only underlines your worst fears about the future.