J: Jack the Ripper (1976)

Klaus Kinski is a deviant weirdo who is a caring doctor by day and a murdering psycho rapist at night. No, that’s the character he plays, but I can see where the confusion lies.

Jack the Ripper is a Swiss/German film directed and partially written by Jess Franco. The poster proclaims “Only NOW Can It Be Shown Like THIS!“, meaning that Kinksi can now rip off all an actress’ clothes before raping and murdering them, often at the same time.

Kinksi is Dr. Dennis Orloff (yeah, Franco wrote this part), tending to his impoverished patients by day, and then being tormented by visions of his mother, who was a prostitute that also wanted him in on the trade. After these nipple-filled nightmares, there’s nothing left for him but to go out and kill. One of his victims is Franco standard Lina Romay, who lasts the longest of his victims, even getting a production number in what looks like the worst cabaret possible on the budget.

As a Franco film, it follows the template of The Awful Dr. Orloff, except without the mad science angle. No, this Orloff is just in it for vengeance against his dead mother. The police are also notably useless as in the original flick, and Inspector Worthless’s girlfriend (Josephine Chaplin) strikes out on her own to find the killer, without telling the Inspector. Nudity will ensue.

Everybody in the movie is a better detective than the Inspector. There’s a blind man character that would give Sherlock Holmes a run for his money. Even the itinerant fisherman played by the musically-named Howard Fux is better at the game than the Inspector.

Reportedly shot in a week, Franco has no time for his usual zoom lens fetish, so the movie feels more like an actual gothic thriller, sort of a boring Hammer flick. A lot of time is spent on the police work and supposedly risible dealings with witnesses, while we wait for Kinski to whack out again. Despite his off-screen infamy, Kinski was a very good, serious actor, and he brings the appropriate level of intensity to his role. There’s some good stuff in here, especially Kinski’s cat-and-mouse game with Romay in a foggy wood, but if you’re familiar at all with the actual Ripper case, man, are you going to be pissed