Movie Catchup, June Edition

A very busy week, made suddenly very complicated by a sudden call to complete a long-delayed dental procedure. That is why I haven’t been around.

Monday, Tuesday: city meetings, where I run audio. Wednesday: story for June video magazine due. Also work all evening doing slide slow for my wife’s graduating class this Saturday. It was urgent I get the damn thing done because it is now Thursday morning, we just finished shooting the stand-ups for the magazine, and in three hours I’m going to be in a dental chair getting four or five damaged, increasingly worthless teeth extracted and an immediate denture slapped in. This is something I have never experienced, and I have no idea what sort of condition I will be in tonight. Soup is almost certainly on the menu.

I have the freaking order of the slideshow done, but was frustrated from roughly 10pm to midnight last night because I could not get any sort of music file to play in it. I’ve been using Open Office for the last couple of years because I couldn’t afford Microsoft Office. Last year I managed this trick just fine in OpenOff’s version of Power Point, Impress. This year I’m suddenly being told that any file format – even the ones specifically mentioned in the Open File dialog – are “not supported”. Surfing around forums proves no help. Turns out if I just tell it to embed, save it to a Power Point show and then use Microsoft’s free Power Point viewer the music plays just fine. A bulky, cumbersome workaround, which means I’m timing blind, and still not finished, so hopefully I won’t be too wrecked tonight. Graduation is Saturday morning.

But yeah, I still managed to watch some movies, somewhere in there. Mainly because my landline shorted out and I was without the Net for three days.

I saw Avengers again, this time with my family. Still amazing, still flawless entertainment. I’m still embittered that every bit that would have made me go woohoo had been spoiled for me by the time I actually saw it – where are the Internet outages when you really need them? – but I got to see my wife and son react to them, so that was cool. Had to spend most of the end credits explaining to my son who… that guy at the end was (I still tread carefully for you, dear reader), and I wonder how many nerds had to explain that to non-nerd companions. I checked, and in my copy ofThe Marvel Encyclopedia, he only gets one-sixth of a page.

In any case, my wife is the very definition of a non-comics nerd, and she thought the movie was amazing. Which it is.

My other movies were at the other end of the scale, budget and amazing-wise. Saturday morning I was up at a Godforsaken hour because that’s what your body does to you, and I watched While the City Sleeps, a Fritz Lang-directed piece of newspaper noir from 1956. Lang is always worth watching, and the layered story here is pretty good. First off, a news media magnate kicks off after insisting that his various outlets sensationalize a murder where the killer left the message “Ask Mother” scrawled in lipstick on a wall. Then, his son (Vincent Price!) arrives to take over, without much of any experience in the trade. He creates a new position, Executive Director, and tells the heads of the three branches: Wire Service, Newspaper, and Photos – that whoever solves the case of the Lipstick Killer gets the job.

The cast is great: George Sanders as the Wire honcho, Ida Lupino as a conniving society columnist, Dana Andrews starring as a Pulitzer-winning TV news analyst who used to work the crime beat, and slowly finds himself sucked into the investigation. Toss in Howard Duff as the detective in charge of the case, and you got your very solid detective thriller cast. Andrews finally tucks into the case with glee, eventually putting his girlfriend in danger; it’s pretty amazing to see so many of the threads of the unsub-killer genres being used at this early date, as Andrews and Duff begin profiling the killer. And even if detective stories with a dollop of soap opera aren’t your thing, who could possibly pass up a chance to see Vincent Price in Bermuda shorts?

I also have to say that seeing a story involving journalistic integrity made me absolutely wistful. Man, fuck NewsCorp.

My viewing of While the City Sleeps was also movie number 15 on The List, so goal achieved on watching half of them before Summer hit. Huzzah.

The other movie seen during the outage was chosen at random, something I’d had for a while: You’ll Find Out, which is a parody of Old Dark House movies starring Kay Kyser (and his College of Musical Knowledge), and three guys named Boris Karloff, Bela Lugosi, and Peter Lorre.

Kyser is sort of a blip on the landscape these days, but he was pretty darn successful in his day, famous enough that he and Moe-bedecked comedian Ish Kabibble crop up in Looney Tunes. His radio show, a combination variety and game show, was quite popular. It’s unsurprising that he’d make the crossover to movies. It’s also a little unfortunate.

Admittedly, You’ll Find Out is his first movie. Maybe he got more confident, Ish Kabibble less annoying. But I doubt it.

Okay, so Kyser and his band are playing at the 21st birthday party of his manager’s fiancee. Of course, she lives with her eccentric aunt at a creepy old house accessible only by a single bridge, which will mysteriously blow up in the course of the movie. Somebody’s been trying to kill the fiancee, possibly Boris as the old family friend, Bela as the psychic who’s been getting lots of money from the superstitious aunt, or Lorre as a psychic-busting scientist. Or, given that it’s Karloff, Lugosi and Lorre, it’s probably all three. Oh, sorry. Spoiler.

When I was a kid, I was always pissed off that You”ll Find Out kept getting scheduled in the late night horror movie slot. I thought that perhaps now, as an old-timer, I could better appreciate it. Well, nottttttttt really, it turns out. It’s not dreadful, but it’s not a forgotten gem, either. Our big three bad guys act like they’re in a different picture entirely, and I kinda wish I had been watching that movie. The musical numbers are good, but achingly white. I dearly wished Cab Calloway could have dropped by for at least one number. And as I pointed out on Twitter, the final number employs a device used by Lugosi for ghostly voices to make it appear Kyser’s vocalist is singing through the band’s instruments, making it the first instance of auto-tuning, in the year 1940.

Now, if you’ll excuse me, I have to go get my jaw ripped out.

Pause For Station Identification

So each year everybody on staff at Channel 16 submits what they feel is their best story of the year to the Telly Awards, which ” honors the very best film & video productions, groundbreaking online video content, and outstanding local, regional, & cable TV commercials and programs, ” unquote.

Don, our Station Manager, played it perfectly yesterday. We were all in a small office, while the TV Production students were working on their show out in Master Control. Don said, sadly, “Well, we heard from the Telly folks today, and unfortunately, none of us got anything.”  Then he brightened and pointed to me. “Except for you. You got a Bronze Telly. Congratulations!”

Okay, Don, you got me.

This was special to me for two reasons: the most obvious is, this was my third year submitting, and secondly, this year I ignored all suggestions and went with my gut on which story I should submit:

Calling this state of affairs unreal is almost an understatement; outside of the accolades of my peers, there has been no notable impact on my life. My oatmeal tastes the same this morning, I did a video shoot for one of our staffers who came down with bronchitis, and I’ll still grumble my way to the Mystery Cafe show tonight: all as usual. I did, at least, sleep very well last night, which is uncommon enough.

And when you get right down to it, that “accolades from your peers” stuff is pretty darned nice.

Strutting & Fretting

I wish I could say I’d forgotten how tiring this work during the day, rehearse at night thing is, but honestly, my memories of life during my days as God’s Gift to Theatre (and self-delusion) are primarily of exhaustion and the crankiness borne of same. And desperation. And fulfillment, And drugs. And really good sex. Ah, good times, good times.

What? I’m sorry, what was I saying? Oh, yes. At this point we’re a little less than a week from opening Shadowlands, a play which is my – perhaps temporary, perhaps not – return to the Legitimate Stage. An old friend from the aforementioned Full Metal Theatre days called me up last November and asked me to come out of retirement – again – for the show (he did this almost five years ago with one of my dream roles, Van Helsing in Dracula). I had been chafing badly at the murder mystery dinner theater I normally do on Saturdays, where I am something of a big fish in a small pond. I’m doing shows I have been doing for damn near twenty years. It’s not truly acting anymore, more an exercise in timing, and worst of all, by my reckoning, for an often drunken audience who regards you as a sort of low-rent 3-D TV, something that can be talked over or to, as one does in one’s very own living room.

Nothing is worse than drunks when you are, yourself, not drunk.

So. This is not a stellar role, a main character. I guess it could be referred to as a featured role, as unlike the other actors who are not in the four main roles, I only play the one character. (Fine by me, I’ve certainly done my time in the utility player capacity). But I do also have to move set pieces.

Ah, there’s the rub.

Shadowlands began life as a BBC teleplay, which was then adapted to a stage play (and eventually the Anthony Hopkins/Debra Winger movie); the stage version retains the sweep of the teleplay, moving from pub to Oxford to Lewis’ study to Greece to hospital room and all points in-between. Usually this is done with lights and scrims and the like, but this theater has no fly space to bring curtains and the like in and out. Instead what we have are five screens – well, they are referred to as screens, but what they are is full-size replicas of the monolith from 2001 on casters., with different visual elements on either side. When the scale model was shown at first rehearsal, it was emphasized that it was important that this not “become a show about screen-moving”.

It quickly became a show about screen-moving.

No small amount of frustration there, but the last few rehearsals have been more about winnowing down the amount of screen-moving (especially once it finally sank in that it was impossible to have a scene occur while the screens were put in place – the damned things are the opposite of silent), and last night – a week before we open – we finally got back down to the business of working on the bits between the screen moves. You know, acting.

It was the most satisfying rehearsal I’d had since the beginning or the process, since the screens starting rolling in from the depths of the shop.

So back again tonight, still trying to figure out how to best come on and be the comic relief after the death scene, which is hard to ignore and always leaves me in tears (“That’s alright, I’m an actor… I can use this!”) . I guess I’m succeeding, because the dead woman sat in the house the other night and I heard her laugh.

You see, this is why I love the theatre… I get to truthfully say things like “The dead woman sat in the house the other night and I heard her laugh.”

Rambling Onto the Moors

I am severely off-balance entering into this New Year. I appear to have officially joined the Middle-Age Club with my purchase of one of those pill organizers that you ladle each day’s pharmaceuticals into so you don’t get confused. It’s more laziness on my part than any actual fear that I’ll get confused; it’s simply easier to flip open one compartment every morning than five bottles. Not really helping is that the store only had two sizes of these organizers: a little too small and a LOT too big. I feel like I’m cracking open a Casio keyboard to get my pills.

I spent four and a half hours in a dental chair last Wednesday (the assistant was really surprised it took that long, too) with the result that the busted front tooth now has a clunky temporary tooth jammed into its space, while I wait for the crown to be manufactured. The temp actually looks pretty good, and I’m happy to be able to pronounce my sibilants and fricatives without special effort again, not to mention being able to manage the occasional slight smile. Let me tell you, that last two weeks of shows in December looking like I’d been through a bar fight (or months of meth addiction) was pretty nerve-wracking.

And hey, speaking of shows – I started rehearsals for Shadowlands last Tuesday night – yes, the night before the dental appointment, more concealing my deformity from folks – and it is very hard to express just how happy that makes me. I’ve been doing the Mystery Cafe shows for years, but working on an actual show in an actual theater which people will pay to see, during which there will be no clanking of silverware or people leaving in the middle of an act to get another beer… well. That’s heavenly. Going to wind up spending more than I earn on gas and tolls, but I don’t care. This is for my soul.

The drive there and back is providing me with time to catch up on podcasts. It means I will finally get through that five hour ‘cast on the death of the Roman Empire (jeez) and the like. Speaking of such things, my involvement with the Daily Grindhouse podcast continues, and I find I’m digging on doing research again. It’s pushing me into watching more movies, though not quite in line with my New Year’s resolution to watch more good movies. (The relatively high quality of Lethal Force notwithstanding) Having finally scored a bootleg of Kubrick’s first (and disowned) film, Fear and Desire, I finally own the man’s total output, and can embark on my personal project of watching them all in order. It’s shocking how many I have never seen, and the ones I have – well, that viewing was likely a decade ago. Or two. Maybe three.

Note I didn’t do anything so stupid as to resolve to watch nothing but good movies. I have a metric buttload of questionable DVDs I still have to watch. My sleep schedule as usual shot to hell on Saturday, I watched the Ian Richardson Hound of the Baskervilles (again, research) and found it to be a very credible version – in fact, it may be my second favorite after the Rathbone version. I find the Brett version rather lackluster, not even in the running. The Cushing/Hammer version is in third place. I’d love to see the two-parter the BBC did with Cushing; hell, I’d also love to see the four-part TV version with Tom Baker as the Great Detective. Not quite so interested in re-visiting the 1972 American TV version with Stewart Granger as Holmes, even with William Shatner playing Stapleton. I saw it on its first broadcast, rmember thinking it was okay, but just not British enough.

I should take time to mention that Ian Richardson was a wonderful Holmes; many qualities of his performance here were transferred into his Dr. Joseph Bell in Murder Rooms, which is likely the worst title ever for a TV series. The Dark Beginnings of Sherlock Holmes is only a little better. Bell is, of course, the fellow Arthur Conan Doyle based Holmes upon, and the four episodes of the series were based – one can only assume very loosely indeed – on the two men’s meeting and subsequent adventures. Well worth seeking out if you’re a Holmes fan.

The Richardson Hound is also worth a look, if only for the surprising breadth of its cast. Brian Blessed as the red herring Lyons, and Connie Booth as his abused wife; Denholm Elliott as Dr. Mortimer, Ronald Lacey as Lestrade, Elenor Bron as Mrs. Barrymore… those are just the ones this benighted Yank could easily pick out. Donald Churchill’s Watson is a bit too much in the bumbly Nigel Bruce vein for my liking, but that’s not his fault – it is a rock-solid Watson all the same.

Hound has always held a special fascination for me, not only because of the supernatural elements, but also because of its position in the Holmes canon. Told as a flashback by Watson, it was written and published after Doyle had infamously killed Holmes at the Reichenbach Falls, and before he finally gave up and resurrected the character in The Adventure of the Empty House. Holmes is absent from the narrative for the entire second act, and I begin to wonder if this wasn’t Doyle slyly attempting to wean the public off the Great Detective. In any case, that give rise to one of my few complaints about the Rathbone Hound – Nigel Bruce’s Watson turns out to be pretty competent until Holmes shows back up, and even being in the same room with the sleuth, even is disguise, causes Watson’s IQ to drop by 80 points or so.

Hah. You see? It’s dangerous to get me onto the subject of Holmes. What’s that you say? What about Sherlock Holmes: A Game of Shadows? I didn’t mind it. I enjoyed the first Downey Holmes – it was more of a proper mystery. Shadows was an adventure movie with Holmes as a protagonist. I still greatly enjoy Jude Law’s Watson.

So yes, I don’t actual qualify myself as a Holmes fan – I’m a Watson fan. A good Watson can make me overlook a lacking Holmes, as is the case in the Asylum’s Arthur Conan Doyle’s Sherlock Holmes (truthfully one of their better mockbusters – but not, by any stretch, a good movie). A great Watson meshes with a great Holmes to create magic, as was the case with Edward Hardwicke and Jeremy Brett, James Mason and Christopher Plummer, Colin Blakely and Robert Stephens (Blakely was the first to show me how wonderful Watson could be), Law and Downey – and let us certainly not forget Martin Freeman and Benedict Cumberbatch, who have been exhilarating.

"Oh, I SAY!"

I’m sorry Nigel, it wasn’t your fault – the producers wanted some reliable comic relief, and you obliged them, and obliged them well. You just weren’t my – sorry – cup of tea.

And good grief, my simply here’s where I am now has somehow turned into a thousand words on Sherlock Holmes.

It happens.

EDIT: How the hell did I forget Ben Kingsley and Michael Caine? Without A Clue is the shiznit if you’re a Watson man.

Is He Ever Going To Write Anything Else In That Damn Blog?

The light is beginning to fade on the last day of 2011 as I write this. I’ve had an awe-inspiring two weeks off at the end of this year, and believe me, I have taken to this like a pig to mud.  The fact I can’t sleep for a consistent stretch of time at night? Big deal. The day is mine to nap away. About the most useful thing I’ve done is drive to the grocery store.

Oh, not that it’s been dull, heavens no. I reached another crisis point with my hillbilly teeth (pretty sure I’ve mentioned it before, but both my mother and her mother had full sets of dentures before they were 30), and was hoping to use those two weeks to have all sorts of dental horrors visited upon myself. No such luck, as my first appointment came, and it was discovered my blood pressure was way, way, too high. As in go to your doctor right now high.

How long had it been that high? Who knows? As one of the millions of Americans without insurance, that’s not a question I can answer. My last checkup was (mumble mumble) years ago (HINT: it is a double digit number). I’ve been blessed with relatively good health in that time, possibly karmic repayment for having spent most of my childhood in hospitals.

In any case, after a week of medication, my pressure is down to acceptable levels, and some anti-cholesterol drugs have been added to my breakfast. I joked on Twitter that since my daily pill intake quadrupled overnight, my breakfasts are now very filling.

Bad thing, of course, is my dentist then went on her holiday vacation, and the horrors begin the day after I return to work, and start rehearsals for a show that opens in late January. Sigh.

But let’s talk about some good things, okay? Back in October, I came into a little money. Great considering how much the dental adventure is going to take (remember, no insurance. And in my experience, dental insurance ain’t all that great, anyway). I had enough left over to do something I’d wanted to do for a long time: buy a TV made this decade.

Timing couldn’t have been better, really. Those fancy-pants LCD HDTVs have been getting cheaper and cheaper. I found one at a price point I could tolerate – so good, in fact that I bought a Blu-Ray player, too – and though I hear things about “Buyer’s Remorse” I have to report that is a totally alien concept to me.

In other words: Holy. Crap.

I’m not a complete idiot. The first thing that was watched on this new TV was Dancing With The Stars. I shake my head sadly to admit this, but my wife is addicted to reality TV. Using ethical ju-jitsu, though, I managed to use that to my advantage.

(A brief side-trip: During her Thanksgiving break, she indulged in her once-yearly watching of “her soaps” and related to me, with great relish, how one actress whom she had long considered the epitome of loveliness was, in fact, a wretched creature of acne scars and layers of pancake makeup)

Needless to say, this has rekindled my too-long dormant love of movie-watching. I had meant to watch many more during this long break, but hey, you know… napping. Getting the crap scared out of me by doctor folks. And God help me if I should get in the way of Dancing With The Stars.

My HeroThe God Help Me part is especially cogent when you consider the first full-length movie I sat through in Blu-Ray was Green Lantern. I, along with several million other people,  hadn’t seen it in the theaters. Now, admittedly, as it was my first HD movie experience, there probably some halo effect, but: I thought it was okay. Not terrible. I watched the extended version, which apparently put back a lot of Act One character development absent from the theatrical version. Flawed, to be sure – the worst offense being that each and every character is a dick. I came closest to identifying with Tomar Re, and when your most sympathetic character is a dude with a talking fish head, there are problems.

I didn’t keep a real record of where I went from there, but I’m pretty sure the next stop was a Blu-Ray Scott Pilgrim or Punisher: War Zone I picked up used from various local outlets. The Criterion Blu of Seven Samurai was a probable improvement over the movie’s opening day condition. One of the things I definitely put days aside for on the break was the HD extended versions of the Lord of the Ring movies which were simply stunning.

I’ve been relying on a lot of foreign films these days:

Detective Dee and the Mystery of the Phantom Flame is a kung fu film noir directed by Tsui Hark and starring Andy Lau as the title character, who is freed from prison by the Dowager Empress on the eve of her coronation because people are spontaneously combusting. Why was Dee sent to prison, why, for treason against the Empress, of course. Interesting, convoluted story, but the HD transfer does, sadly, render (heh) the CGI even more obvious.

Rare Exports: A Christmas Tale is one I’d heard a lot about, and saved it for Christmas Eve. It’s very odd and completely novel, but promises more than it finally delivers. Doesn’t mean I didn’t enjoy it, though.

The Last Circus I found disappointing. When a box is splashed with verbiage like “Cult Status Assured!” and “The Most Insane Movie I Have Ever Seen” you are expecting some high weirdness. I won’t argue that some of the stuff is indeed weird, but… it wasn’t what I was expecting. Hell, I’m not even sure what I was expecting. There are parts I am still chewing over in my head.

Legend of the Fist: The Return of Chen Zhen was another sad disappointment. It’s a sort of sequel to the Bruce Lee Fist of Fury (in the US, The Chinese Connection), or better the Jet Li remake Fist of Legend (mainly because Chen survives in that version). Chen Zhen does return after fighting in France, taking on the Japanese occupying Shanghai again. At least, when the plot allows him to. Donnie Yen is our current Asian martial arts superstar, and it seems that director Andrew Lau is trying to see how much movie he can put between fight scenes. That Chen steals a movie costume and thus fights as what is undeniably Kato from The Green Hornet is… I’ll be kind and say it’s an odd choice.

I also recorded a couple of podcasts with The Daily Grindhouse site, only one of which is currently available, about the really, really good zero-budget action movie spoof, Lethal Force. That one, I can recommend. The other Blu-Ray I got because Geoff was so effuse in his praise was Intruder, which is a slasher, and I hate slashers. Intruder, alas, did not change my mind. Oh, and this trailer is spoiler-iffic. You been warned.

And now I’ve been informed that the downstairs bathroom is broken and we are down to one bathroom with two houseguests for the weekend. Good thing I’m on blood pressure medication. Too bad that medicine makes me pee a lot.

But – let’s be positive. That also means that in one week, I’ve lost ten pounds in water weight.

So Happy New Year, everybody. Here’s hoping 2012 is a good one, all our problems can be solved with pills, and the Fifth World is a definite improvement.

Latest Projects (Besides Getting Well)

Well, that was a very, very busy September. Busy enough that, in a pattern that goes back – well, the rest of my life – once my body caught the slightest whiff of any time off, it declared, “Aha! Well, here’s the physical collapse you’ve been putting off all summer.” The fact that the body started it two days early didn’t help matters much. The Saturday night show was achieved largely by dint of Dayquil and chutzpah. The show must go on, you know.

So Sunday? I was pretty sick Sunday. I took Nyquil that night (alright, store brand whatever) and woke up a couple of times the next morning, dehydrated as hell. Drank some water, went back to bed. All in all, I slept some 14 hours, and felt better for it. Which is good, as I was behind in everything, Work, The Secret Project. All behind.

Yes, I am involved in a Secret Project. I can’t tell you anything about it, because it’s Secret. Duh. Don’t be silly.

Oh, the Huge Manatee!

This is entirely different from my other project, which is trying to get Animal Planet or possibly Nickelodeon or Disney interested in my new TV reality show, Those Fucking Cats. The show was conceived when I began wondering how our cats were gaining entrance into my bedroom, although the door was closed. Turns out the younger cat, Tubby (who was named Eva until she ballooned to the size of a manatee) was simply hurling her bulk against the door until the latch mechanism gave way, allowing the older Hideous Mutant Cat (named Nicodemus, with polydactyl claws and a propensity for eating plastic wrap) to get inside, knock everything off every level surface, and – I swear to you – leaving one of those extra claws embedded in the mattress exactly where I will sit down. Those Fucking Cats.

I bought a new doorknob to replace the ancient one Tubby had managed to jimmy and tried to replace it Sunday before I completely collapsed – this after a couple of nights of barricading myself inside my bedroom, using a suitcase and a wooden table. And let me tell you, there is something beyond annoying about hearing a small thump thump THUMP against your door at midnight as a confused furry manatee tries to gain entrance to its new kitty wonderland) Anyway, the doorknob I bought had a defective latch mechanism anyway, so I didn’t have a door so much as a slab of hinged wood with a hole in it. I gave up and let the little monsters sleep in the room with me Monday night. They are, at least, fast learners, and have figured out that when you jump on the fat guy in the bed, he tends to wake up screaming, thrashing, and hurling whatever is on top of him against the nearest wall. So I slept pretty well that night.

The next day I felt much better, went to work, got a little caught up, returned the doorknob and got a new one, went grocery shopping, and replaced the doorknob to the dismay of Those Fucking Cats. Ta Dah!

So. I’m trying to ramp back up on The Secret Project. Met my work deadline. I’m no longer running audio for City Council meetings, and I have to say that’s sort of like missing episodes of a soap opera you only had on in the background anyway. I’ll miss the catchphrases and the extra money, but that was one of the things that contributed to the collapse.

Also, I’m likely cutting back to only one show a week with my murder mystery dinner theater; the owner made an odd decision, earlier in the year, to do not one, but two of those twofer deals, Living Social and Groupon. Just one of them would have been bad enough, but oy. Both assured her there wouldn’t be that many sold – and of course there were – and certain other assurances were made. The best screw-up was when the Groupon salesman, in the comments for our offer, contradicted Groupon’s own terms of service, and told customers that the Groupon covered gratuity and the like. So we got to tell several hundred people that he was lying.

Parallel to all this, I was reading a webcomic by Kevin Church and Paul Salvi called [The Line], which is about a restaurant, and in their current storyline, they are dealing with the fact that their owner/chef, an autistic cocaine addict, has entered into an agreement with a similar outfit (the arc starts here).  [The Line] has kept my boss sane in the intervening month, because the stories about the entitled louts who feel they are entitled to everything because they clicked on a two-for-one coupon are all true. I am sort of used to dealing with people who have never seen an actual theatrical performance before. These folks however – I’m not sure they have ever dined anywhere more upwardly mobile than Denny’s.

Now, to be sure, most of the folks were decent sorts who enjoyed the show, and only some of them treated the show as if it were the TV in their family room, and it was perfectly all right to have a conversation at normal volume with the person across the table. We always gotten those. But we were getting a lot more of them.

Well, by doing shows on Friday and Saturdays, were able to move most of them through, and now the coupons have expired. (Best thing so far: “I have this Groupon, and it expired yesterday. Can I use it in November?”) This means we’re likely slipping back to one show a week, and this – like not doing City Council – means less money.

Hence, I need to get back up to speed on The Secret Project. And remember, call up Animal Planet and demand to know why they’re not showing Those Fucking Cats.

There, I can produce 1000 words of bitching and moaning, just like anybody else.

Caramba.

Wow, I know I like to say “Feast or famine” a lot to describe my professional life but jeezum crow give me a break.

Currently: gearing up for this season’s news at my regular job. From September through December, I’ll be producing a four-minute video every week. That’s my mornings right there. Then shows Friday and Saturday night. 7 to 8 evenings per month running audio for the live broadcasts of various city functions (though the guy I replaced on these is out of the hospital and may be easing back into those duties).

That’s my basic work template. I stay busy. I get bills paid, sometimes even on time. But I’m always looking for more, because, hey. Things need doing. Dental work. Car’s eleven years old. I haven’t had a check-up in 14 years. Home repairs I am in no way qualified to even attempt.

You know. Life’s Rich Pageant.

The last couple of years haven’t been good for my workflow. The beginning of the year marked an upswing when I contracted to help write a book that was an ethics training course disguised as a choose-your-own-adventure novel. I eased back into prose writing, eventually wondering why I wasn’t writing for myself anymore. The major problem being I don’t want to write something that’s not in at least some respect original, and I’m pretty dry at this point. There’s the germ of a novel I’ve been trying to tease out for more than a decade and it just ain’t coming. So I decided I’m going to do the obvious thing, and swing at it for NaNoWriMo, and see what happens.

Well, what happens is that work starts coming out of the walls.

First, the people for whom I wrote that ethics novel are gearing up for something later in the year (or early next year) which would involve writing an episodic short novel entirely int he second person and avoiding personal pronouns. I like a challenge as much as the next guy, but that really sounds like some thought experiment you read about on Boing-Boing.

Then, the guy who gave me my start in video production has an interesting idea he wants to run by me, and yes, it is interesting, and yes, it is something I’d be interested in doing. The idea is developing rapidly, beyond my ability to keep up with it and still keep my regular juggler’s balls in the air. He calls, wondering why I’m not inundating him with excited e-mails.

This morning: I had agreed to do a small role in an ongoing film project in which my wife is involved. One of the other actors has gotten hospitalized, and they need someone to do the role this Sunday. Am I available? Am I a quick study? Can I do this?

I’m very tired. The wife’s cat has made it his hobby to see how loud a noise can be produced at 4:00am, with whatever props are available. I need to be digitizing video, but my eyes won’t focus. There are many things I would rather be doing right now. Memorizing lines for Sunday are an “A” priority right now, but so is an excited e-mail or two. Sleep would be good, probably with the Horrible Mutant Cat safely locked in a padded cell. I’m fooling myself, however, as I what I really want to be doing is continuing my re-read of Powers.

Powers is a comic book (me, reading comics. Fancy that!) by Brian Michael Bendis and Michael Avon Oeming that I got hooked on about issue 6 or so after passing it over repeatedly because I found Oeming’s art “too cartoony”. Frankly, I still do, but I can’t imagine the book without it now, and his panel layouts are often incredible. But what has always made it for me is Bendis’ dialogue. I love his dialogue, and people may whine about his tendency to “decompress” stories, but bah phooey on them.

Powers is a police procedural taking place in a city where there are super-heroes and villains; our protagonists are two homicide detectives who specialize in cases where people with powers wind up dead. The series has twists and turns a-plenty – some of which, predictably, pissed off readers – and now it’s being turning into a TV series. During the run-up to that, the book has come out less and less frequently, so it’s time to re-visit it.

That seems to be the mood I’m in, once more: re-reading an entire series and seeing what I get from it, years after the fact. I did this a few years ago with Neil Gaiman’s Sandman, Scott McCloud’s Zot! and Jeff Smith’s Bone. Those are all amazing, and I got a lot more out of enjoying them as a whole rather than serialized story. After Powers it looks like I’ll be revisiting Garth Ennis and Steve Dillon’s Preacher, which is, shall we say, unique, and I’m now crawling through used bookstores and my collection to drag together a complete run of James Robinson’s Starman.

After the movie-watching orgy of T-Fest, I’ve found it hard to get it up for another movie, but last Saturday I finally got to see Troll Hunter, which is the best Blair Witch Project I’ve ever seen. Comparisons between the two are going to be more than inevitable, but Troll Hunter  has humor and likable characters on its side. That and the fact that you get to see something, but that’s just being mean about Blair Witch‘s zero budget. It would probably be nicer to call Troll Hunter a better Cloverfield.

Anyway. Rather be home right now reading funnybooks. But when hasn’t that ever been the case?

The Crap of July

Well, the 4th of July Parade (held on the 3rd of July) was, as predicted, a dreadful ordeal. Setting up cameras in the heat, moving the camera back into the shade so the electronics wouldn’t cook, walking back and forth from the cameras to the air-conditioned control center. At one point when I checked, the heat index was 111 degrees. The nice thing about control being air-conditioned was having that place to retreat. The bad thing about it was it necessitated running a lot of cable. Cable we did not possess or even own, as it turned out. Could have been prevented by moving control out to the heat with the rest of us, but that wasn’t going to happen. By the time the Parade actually began, we had six out of seven cameras online, which was a minor fucking miracle. The Parade itself was rather underwhelming, but the fact that we managed to pull our part off carries with it a certain feeling of accomplishment.

I wasn’t needed for the actual 4th of July broadcast, which was very good, since when I got up Monday morning I couldn’t put any weight on my bum leg. So I spent most of the day with my leg up, searching out episodes of Mythbusters I had not yet seen on Netflix Instant. For America.

I knew it was going to be like that. I knew there was a fairly good chance that the 3rd would be the day that either crippled me permanently or outright killed me. (As I write this, it is the 6th. I was able to come to work without the cane, and I am not dead. I attribute this to my willingness to sit down as much as possible and let the enthusiastic younger employees do all the work) Therefore, I bullied all my compatriots into a Crapfest on July 2nd. I had no shows that weekend, a financial problem but not an emotional one, as I’m also pretty sure I might have murdered or at least maimed a few drunken audience members.

This still almost did not happen; Dave called about 2pm to inform us that he had a clogged drain problem affecting his whole house. A Crapfest canceled by plumbing problems? My irony gland was throbbing. A quick visit by a plumber, though, and we were underway only an hour later than planned.

While we got settled down, food was set up and cooked, I trotted out my three disc This Is Tom Jones set, which was not crap by any means. Tom Jones is a hell of an entertainer and these selections from his 1969-1971 ABC variety series… well, here is a taste:

That is a bare minute and a half out of a set that lasts some fifteen minutes at least. The very first show has The Moody Blues, Mary Hopkins (“Those Were The Days”), Richard Pryor and Peter Sellers. One episode. We went on to episodes featuring The Who, and, as seen above, that luminous appearance by Little Richard. The eps always end with Jones in a concert setting, sweating and singing his heart out.

Well, it’s kind of hard to force yourself to sit through crap after that, so rather than ease us in, I went for the throw-the-patient-into-some-cold-water treatment, and an episode of Chuck Norris: Karate Kommandos, of which there appears to be only five episodes anyway. Enough to run each afternoon for a week, and sell some action figures.

There is a real desire evident to make this the Chuck Norris equivalent of GI Joe; Chuck and his troops have far-ranging authority in his fight against an organization of super terrorists. There is a lot here to work with, and some day I should do a full review.

Food still not ready? Time for some Birdman!

Birdman is one of the lesser Hanna-Barbera superheroes, frankly (I still have no idea who this BIRMAD might be…). He got a complete season DVD set due to the Adult Swim Harvey Birdman Attorney At Law series, and since The Other Dave was a big fan, I brought it. We watched two Birdman stories and one of The Galaxy Trio shorts, and I remember nothing about them. Except Birdman constantly shouting “BIRRRRRRRRRRDMAN!” because he was very conscious of his branding.

Thank God, the fajitas are finally cooked, and now it is time for a movie. Dave was foiled when he discovered that Netflix had removed his choice, Jaws The Revenge, and instead trotted out Jack The Giant Killer. The musical version.

Jack was a fairly infamous attempt to imitate the success of The 7th Voyage of Sinbad, right down to hiring its two leads, Kerwin Matthews and Torin Thatcher, and its director, Nathan Juran. Columbia threatened a lawsuit, and in an attempt to recoup their investment somehow, the producers had to change Jack into something 7th Voyage was not: a musical. But not by bringing back the actors and shooting additional footage, noooooo. There was already a leprechaun in a bottle (an ‘imp”, if you believe the script), who spoke in verse; that’s a natural for some music. But the rest…

It is best to simply let this version speak for itself, as it were. Jack is trying to sneak into the evil sorcerer’s castle to rescue the princess:

If anything, we thought this version of Jack needed even more musical numbers. It was very, very bizarre, easily the high point of the evening. Having created and uploaded that clip, I am becoming obsessed with the idea that seems to be Thurl Ravenscroft providing the basso side of that duet.

By now, Rick was positively vibrating to complete the Ginger Trilogy by watching Girls Are For Loving. I have a longer review of it here, but suffice to say: It ain’t no Abductors.

There is a lot more money invested in Girls, and perversely, the movie suffers for it. There is a general bid for respectability; Don Schain (or, as I prefer to think of him, Mr. Cheri Caffaro) really wants to do a Dr. No-style movie, but doesn’t have the chops. The sleazery is there, though not enough to salvage the flick for Ginger fans. Ginger is sluttier than ever – no, that’s not fair. Caffaro is playing a Liberated Woman, 1973-style, and that means being bewilderingly frank about engaging in the carnal act. Yeah, I still miss the 70s. You youngsters missed out on all the good stuff.

As alluded to earlier, Girls is not a very good movie. Not that this is a requirement for Crapfest, but it is largely bad by dint of being boring, which is bad for a Crapfest. Cheri sings in this one – she’s undercover as a lounge act – and sure enough, just as someone says, “I liked her better when she was taking off her clothes,” she switches to a strip-tease number. There is a Ginger movie struggling to get out, but it’s lost in an ill-defined plot by the anti-Ginger to get rich. Even the nudity seems to be somewhat toned down. This must have really frustrated the grindhouse patrons familiar with the Ginger brand.

Finished up with Five Fingers of Death, which Rick and I both claimed we had watched before, but Dave claimed we had not. Not that it matters – it’s a good flick, and I needed some winding down time to sober up for the drive home. Paul and the Other Dave had already wussed out. Wusses.

So I faced the grueling Next Day with something approaching some peace in my heart and a song on my lips. “A spectacle! A spectacle!”

 

Horrid Junes and True Legends

Life’s Rich Pageant has been rather more pageant-ly of late. Enough so that I became certain the month of June was cursed. Not Total Catastrophe-style cursed, but certainly here-let-me-fuck-with-you-some-more cursed.

We’ve already covered the Wife’s annual visit to the hospital. Four days after her return, the house’s AC cratered. At first it seemed to be an electrical problem. I found out my wife had continued to pay out money to a Home Warranty outfit that I considered to be on the level of a pyramid scheme, but she’d paid the money, so let’s use them. Received an e-mail detailing the contractor’s contact info, and was assured they would call me for an appointment in 24 hours. When they didn’t, I called them – it was now Friday afternoon. Was given an appointment the following Monday, because, sorry, they’re not open on weekends.

This seemed appropriate.

This seemed appropriate.

This was – naturally – during a period of 100 degrees + days in H-town. We elected to stay in a hotel for the weekend. Come Monday, the electrician came and told us that yeah, he would have assumed it was an electrical problem too, but it was actually something with the unit itself, and he would put in the call to the AC tech. When the 24 hour period had passed – once again – I call the AC guy myself, and was told the earliest he could get there was Thursday. By this time, we were staying with a neighbor.

He came, and it turned out to be something which – if I only knew a tiny bit more about AC technology, I could have remedied myself. But when he found out how long we had been without AC, he was shocked and refused to charge us anything. So guess whose business card is up on my refrigerator now?

The shows on the weekends have been the usual parades of petty annoyances. I hate drunks, I hate performing for drunks, and I hate performing for people who consider me the cheap version of 3D TV. Why the hell you shell out that much money to have a conversation is beyond me. The absolute nadir came when I found out a table full of drunks – who, of course, knew they were improving the show with their shouted bon mots – when I found out one of the drunkest and loudest was a pregnant woman. Pregnant, and rapidly approaching what my pal Dave refers to as “puke-ass drunk”. It is one of the few instances in my life where I found the phrase “Jesus wept” to be appropriate.

This week, there are no shows, which is good on every level but the financial. This Sunday is the 4th of July parade (held on the 3rd, yeah, I know), which is going to involve me hauling my porcine semi-crippled butt out to the parade site at Noon and spending the next seven hours, in the sun, setting up for a live broadcast of the blessed event. This will be the first time for a new “improved” parade route, and the scuttlebutt is there are markedly fewer participant registered for this year – but that only affects the actual run time, not the set-up time. I’m looking forward to at least a nine-hour day. Likely more.

So I guess it was important that I write this today in case I don’t survive.

An old friend who works at one of the bigger cinemas in Houston told me that Ip Man 2 actually played there for a week with absolutely no advertising or promotion of any kind, though he – Bruce Lee fanatic that he is – would have watched it had he known the subject matter. I find that sad, even if I do think the first Ip Man was better. But this also started nagging me on another matter. Ever since the trailer for Yuen Woo Ping’s movie True Legend showed up on the Apple movie trailers site, I had been looking forward to it:

…and I was beginning to fear that it had suffered the same fate.  So I rushed over to Amazon, found the DVD and ordered it. I received it at the very beginning of the AC debacle, and was surprised to learn that it was a Region 3 disc. That really shouldn’t have surprised me, since I didn’t recall any announcement of an R1 release, but there you have it. While sequestered at the hotel and the neighbors house, I was cut off from my region-free players.

So finally I did get to see it and… what a disappointment.

The narrative is pretty scattered, and really feels like three different movies. The first is the truly impressive opening, as our protagonist rescues a prince from barbarians. Huge fight scenes with lots of guys.

Then our hero retires from military life to concentrate on his wu shu. His adopted brother shows up to clean up some family business – Hero’s father killed brother’s parents for being evil practitioners of the Five Venom Fist, then Hero married the sister. Brother had mastered the Five Venom Fist, and sewn “dark gold armor” into his skin to make himself invulnerable. Hero is defeated, goes into hiding, and is taught superior fighting skills by “The God of Wu Shu”, who turns out to be a figment of his imagination.

All that is the major portion of the movie, and that sounds like a typical kung fu plot. But it comes to a tragic end with about 25 minutes left to go… and then we enter the third movie.

You see, True Legend is supposedly the story of Beggar So, the guy who originated the Drunken Fist style of fighting. Where this ends up is So, now an alcoholic wreck dragging his son around China, is taught the drunken style by yet another figment of his imagination, just before he finds himself involved in a deadly competition with foreign fighters, more by accident than anything else.

But this is where I enter “Oh come on” territory. No, not when the God of Wu Shu is shown running over the tops of tall grass, holding a drunken monk at arm’s length like a cackling Olympic torch. That I willingly accept. It’s the big fight-for-our-honor-against-foreign-devils conclusion.

It seems that the last four major Chinese martial arts films that I have seen – Jet Li’s Fearless, Ip Man, Ip Man 2 and now True Legend – end with this conceit, and frankly I was kinda tired of it by the end of Ip Man 2. I’m beginning to wonder if this  is now a mandated part of Mainland China cinema. At least this one has multiple wrestlers, and the ring is surrounded by a pit filled with hungry tigers. Ha! Take that, Donnie Yen, you wuss!

As I said, disappointed. There are many parts of the movie that are great, but the overall structure is too disjointed in an effort to be epic. Michelle Yeoh is criminally wasted in a small role. Interesting to see David Carradine in a career-lapping role yelling “Kill that Chinaman!”. Jay Chou as the God of Wu Shu is outstanding; he is likely the only reason I will ever watch the Green Hornet movie.

Three Day Weekends Bah Phooey

Yeah, so much for trying to at least blog once a week, eh? Last week was especially contrary to that little initiative.

Let us start off the week with two School Board meetings, on Monday and Tuesday evening. These were promised to be short; but then, upon entering the building Monday, the first thing asked was, “Are you available Thursday evening?” Monday was welcoming the new Superintendent, and that was short. Tuesday was installing two newly re-elected trustees, and the election of a new President and Vice President. This was also supposed to be short, but an acrimonious closed session put it into overtime. Sadly, all the drama was after the closed session, during which the station went to a live broadcast of the Economic Development Committee, which was nowhere near as dramatic.

All, well, we broadcast the recorded meetings until there’s a new one, so the reading of prepared statements and openly aired bitterness still got its screen time.

Wednesday was my single night off, then, and even then, that was spoken for; the graduation for my wife’s school was that Saturday. My wife, for those who don’t know, runs a school for children with reading difficulties. It runs from K-12 and every one, at least one student graduates and goes ont o college, which is pretty amazing considering most of these kids were ready to drop out due to frustration. You can’t say the public schools have failed them out of malice or anything, it’s just that they do not have the resources to handle these students in the way they need to be taught. So that’s my wife’s job.

A standard feature of each of these graduation ceremonies has been a slide of the graduate, photos taken from baby pics through elementary up to the present, all accompanied by music. Usually “Let Them Be Little” by Billy Dean. What this means is every year my wife sidling up to me asking me to pleeeeeeeeeeease do the slide show (or, more accurately to “help her do the slide show” which translates to “pleeeeeeeeeeease do the slide show”), which means every year I ask her to find somebody else to do it and that somebody then flakes out and I wind up learning how to use Power Point yet again.

By Wednesday, I had finally gotten all the photos I was promised and had given up on the CD being found and actually fucking buying “Let Them Be Little” from Amazon MP3, which is going to screw up my recommendations for months. Oh, but wait, when I got my new computer, I declined to give Microsoft any more money and went with Open Office for all my office-type needs. Well, Open Office does also have a Power Point-type program called Impress that takes a little getting used to; I couldn’t figure out how to just have a solid black background, which I prefer for this sort of thing, but it did have a very nice blue notebook background that was appropriate. After a few hours, I had the photos all timed out properly, and exported it to a Power Point format. Yay, that’s done.

Except the next day I took it to work on a flash drive and tried it out, and… saw the first slide, heard no music, and then… nothing. This was the definition of Not Good.

Well, no, actually the definition of Not Good was the text I received from my wife an hour into the day, asking me to pick her up and take her to the Emergency Room.

My wife is a brittle diabetic, prone to wild fluctuations in her blood sugars. Well, that’s what she’s defined as now, before she was just a diabetic. She had been minding herself, doing everything she should have, but the swings were getting more extreme. When she got up, her fasting sugars were 58. When she called me at 10am, they were over 500.

So it was time for what is starting to look like an annual event: put Lisa in the hospital and try to stabilize her sugars. Ha ha, good luck with that.

So not only did I have a joint School Board/City Council meeting that night, but I was also trying to communicate to her staff (which had been reluctant to do anything for the graduation but were now in charge of it) where things were and how they needed to be done, deal with a wife who was freaking out because she wasn’t going to be there for her babies, and figure out how to fix the slide show.

I felt really, really bad about not being in the hospital with her, but there was stuff that needed to be done, and I wasn’t contributing anything other than holding down a chair. As I set up the mikes for the meeting that night, I kept reminding myself that she was with people who had the training and tools to help her, and I didn’t have either.

That meeting actually only ran ten minutes over, and I got home by 10pm, trying to fix the slide show and finally get to bed. Turns out you can’t have an MP3 sound file when you save an Impress slide show into Power Point format – it has to be a WAV file. So a quick conversion later, I finally have sound again. But now the timing is off. DAMN. After a couple of tweaks – and having to listen to that damned song over and over again, I finally get it to an acceptable level of sync. Not as perfect as it was before, but acceptable.

Friday morning – drop off the kid for his last day of school (yes, he’s dyslexic and goes to Mom’s school), along with a present for a departing teacher and a flash drive with the slide show on it. Go back in 20 minutes because they need Lisa’s keys. Go back in two more hours because it’s a short, and find out two guys from Church have come and troubleshot the whole projector/slideshow/ music thing. Bless you guys. Drop by the hospital,find out that my wife is now radioactive. They gave her a stress test, and shot her up with radioactive tracers. Then I go to get some rest because I have a show that night.

The graduation goes off with the usual number of hitches, not the least of which is the graduate’s mother arriving 45 minutes late. After prying my son from the post-graduation buffet (deviled ham sammiches, yummmmmm), it’s back to the hospital. Not much in way of news. Back home, sleep. Do the show Saturday.

On Sunday, they decide to send her home, as she could have irregular sugars at home just as well as at the hospital. Her heart, thyroid, gall bladder, all were in good shape. She has ulcers from taking so much ibuprofen for joint pain and leg/foot cramps, and two of her medications have an ingredient that retards her body’s ability to absorb potassium, hence the cramps. Life style changes have been called for, and a new goal: keeping the sugars to around 200.

So after waiting in her room for an hour and a half for a wheelchair to take her down (and Mary, her favorite nurse, finally grabbing a wheelchair and pushing her down to the lobby herself), I then spend another hour waiting on prescriptions. Monday I spend a couple of hours at a supermarket weaving in and around people piling their carts with bratwursts and steaks for the Memorial Day cookout that they somehow hadn’t gotten the meat for, yet.

So three day weekend, bah, phooey. There was no such thing.

And just to twist the knife: no, we still have no insurance. And generic Prevacid? $100 a bottle. As the song says, “It’s sick, the price of medicine.”

This week: nothing. No meetings, no punishing deadlines. Hell, I don’t even have shows this weekend. I have resorted to pinching myself just to make sure I’m still alive. There is a constant, nagging sensation that I’ve forgotten something, but two different calendars tell me otherwise.