Before The Gold Rush

I’m going on yelp and giving this new flu a bad review.

The last couple of weeks have been a delirious fever dream, as I pretty much lived on Dayquil and sugar-free cough drops. I punked out of work when I could, but most of the time I couldn’t. The most amazing bit, to me, was when my church asked for my voice at two Easter services and if I felt too bad I didn’t have to do it but could I please also do a rehearsal on Saturday morning, too? After the rehearsal, one musician reportedly said, “Darth Vader just opened our service.” Yeah, I sounded profoundly sepulchral. No problem hitting those low notes. I radiated gravitas. And phlegm.

caught fluSo after Easter weekend – when I did the Show, and the services, and made homemade chicken soup because I was the mobile one in Plague Central – I took Monday off, and then a surprising thing happened. Exhaustion took its toll and I actually slept through Monday night, awakening only occasionally to cough up a piece of lung. I felt good enough to go into work, pound that week’s story into shape and submit it before the deadline, go home, nap, go do audio support for that evening’s Economic Development Corporation meeting (honestly, I have watched un-subtitled Mandarin movies that were more comprehensible to me), slept again, and felt almost human Wednesday. Which is good, because I had a traveling show at a refinery in Deer Park (and it’s always good before a show to receive that little lecture about what to do if there were some sort of catastrophic accident while we were there), then run home, change clothes, and do a remote broadcast that evening.

I felt good enough that I won’t even mention that the remote was for a Candidate Debate between folks running for School Board and City Council positions. No, what I’m actually not going to mention is that one of the Council candidates was sick, so we had a Candidate Debate with one participant. That was good TV.

death1Oh, yeah, I watched some movies while I was sick, too.

First up was Death Promise, an odd little homegrown kung fu revenge flick from 1977. This was nowhere near as bad as I was told, and I found it pretty entertaining. Okay, admittedly the boom mike should have gotten a credit. Indications are we’re going to devote a Daily Grindhouse Podcast to it, so I’ll leave my blithering to that, and leave you with this truly remarkable fight scene, including a bad guy whose ki-ya sounds like an asthmatic cat who’s smoked too many cigars:

And oh yeah, ignore them. Buy this fine movie at Amazon.com.

Speaking of the podcast, one of the best things it turned me onto was the delightfully insane, inept-in-all-the-right-ways movie Raw Force, aka Kung Fu Cannibals. This was the first of two movies directed by Edward D. Murphy. We were all curious about his second, and last directorial effort, Heated Vengeance, but I was apparently the only one who cared enough to do something about it.

In other words, I took a bullet for the team.

heated-vengeance-movie-poster-1985-1020693907In the three years between Raw Force and Heated Vengeance, Murphy learned a few things, and got a better budget together. This is obvious from the very first scene, which depicts a Viet Cong attack on an American firebase in Laos. Richard Hatch is there as our heroic commanding officer, Joe Hoffman, who gets wounded and choppered away from his native translator lady love Michelle (Jolina Mitchell-Collins). Hoffman gets sent back to the States and his wife, and years later he returns to Thailand, newly divorced and looking for Michelle, now a doctor, and what could be his son. Too bad he runs into Larry Bingo (Ron Max), a guy in his command who was getting sent up the river for raping a native girl, but escaped during that expensive Cong attack we keep flashing back to. Bingo kidnaps Hoffman, takes him to his drug production base (set up in Hoffman’s abandoned army camp), intending to wreak some heated vengeance. Hoffman escapes, and goddammit, we’re watching The Most Dangerous Game again.

There is surprisingly little action in this action movie; there’s a lot of talk, though. Murphy still likes his villains kind of colorful, and Bingo leaves no scenery unchewed. Among his henchmen are Michael J. Pollard, being very Michael J. Pollard-y, and Robert Walker Jr., an unfortunate actor who Hollywood just never figured out what to so with. Things don’t start getting really weird until about the last twenty minutes or so when the wounded Hoffman is taken in by some Laotian natives, and Michelle and his son track him down with the help of a friendly traveling toilet salesman (a pretty welcome Dennis Patrick). By this time, Bingo is down to a flamethrower and Michael J. Pollard, and there is an explosive finale which Murphy could not have possible been able to afford, but he goes ahead and tries to do it anyway, which was the Edward D. Murphy I had been looking for all along.

heatedvengeance5big

“Wha? Heated? Vengeance? That’s a thing?”

It is a very good vehicle for Richard Hatch, though: he does the everyman with his back against the wall bit pretty well. But honestly, I spent a lot of time in this flick checking how many minutes it had left, and that is never a good thing.

So how do I recover from the disappointment of not finding another Raw Force? I watch Boardinghouse, because I’m an idiot.

I was pretty much unaware that Boardinghouse  even existed before noted sociopath Joe Cosby forced me to watch Things for Daily Grindhouse Podcast Mark I, and evidence showed that Things was inspired by Boardinghouse, at the time the most successful made-for-video Canadian movie evar. The video was apparently even transferred to 35mm for a theatrical release.

Huh.

boarding-house-movie-poster-1982-1020230391After an opening where we find out the titular house has a history of violent deaths (one involves an incredibly effective garbage disposal), most of which can seemingly be traced to a telekinetic sibling who’s committed to a mental hospital for life. The house eventually devolves to Jim Royce, who opens it as an all-female boardinghouse, with him as live-in landlord, figuring that this will be the ticket to a “bachelor’s paradise”. This means that he will soon be banging each and every one of his tenants, when he’s not meditating on his desk in his underpants, honing his telekinetic skills.

That’s right, there are two telekinetics in this movie, soon to be three when Jim teaches Debbie (Lyndsay Freeman) his methods. Good thing, too, because the original TK escapes from the hospital after forcing a woman to hang herself and a man’s intestines to jump outside his body.

vlcsnap-2012-07-07-23h03m57s59The women in the Boardinghouse are about as well written as your typical frat house movie, which is to say they are not written at all, and they appear to have little inclination or ability to be anything more than casually catty and evil to each other. There is an Asian girl who mysteriously vanishes after her sex scene – and it’s not like when another girl vanishes and it’s part of the plot, no, she just ceases to be. There is also a black girl, but we only see her when she’s going to work (and she’s the only one who appears to do so, so I guess that should be counted as a positive character trait). Well. she does show up at the big party scene at the end just in time to get killed, but – groundbreaker! – the black character isn’t the first one to get killed! Admittedly, it’s because she hasn’t been around for most of the movie, but still…

Maybe these two ladies have expanded roles in the Director’s Cut, which is  apparently a full hour longer, but I don’t care. I JUST DON’T CARE.

I will give it this: Boardinghouse tries to outdo Rock N’ Roll Nightmare in the bizarre, terminally-silly-ending-that-is-supposed-to-be-terrifying department, and it certainly gives Jon Mikl Thor a run for his money. This amazingly dark trailer should give you an idea of the visual splendor of the movie:

Folks, video equipment doesn’t do well in low light environments, unless you know what you’re doing, and even then... And oh, yes, “Horror Vision”. When you hear a sound and see a black glove, you’re supposed to close your eyes. It’s like Chamber of Horrors‘ Horror Horn and Fear Flasher, except the makers of Boardinghouse get tired of the gimmick about 45 minutes in and forget about it. Maybe it shows up in the last few minutes, but you know… care. Did not.

Folks, I watch a lot of crap like this. No dilettante I, I have seen shit that would turn you white. After a while, it gets to you, it really does. This is why I take off May and watch movies on my Wall of Shame, movies I should have watched years ago, almost all taken from Roger Ebert’s Great Movies List. At a low ebb, I kicked this off early and knocked one of those bricks off the wall: I watched Charlie Chaplin’s The Gold Rush.

I hear many of you screeching about the whiplash injuries incurred by that sudden turnaround in quality. Fine. We’ll leave that for next time.

 

 

 

 

HALFTIME SHOW

As usual, I feel the need to step outside the English language to express, in only one word, my life in the last few weeks: Oy.

Let’s see if I can use that to inspire succinctness in the remainder of this post. Brevity is going to be necessary. I’m in the midst of a writing contract, first off, and funny thing: when people pay you to write, they expect you to write. This particular project is taking such a grindingly slow, meticulous approach that I feel like I’m constructing the story molecule by molecule. It is such an antithesis of the way I usually work that I find myself sullen and depressed at the prospect of going into the file again. I generally produce work like Frankenstein’s Monster, birthed whole and gloriously misshapen, with additional surgery to make it more perfect (perhaps Moreau would have been a better simile). This is more like writing a novel the way a stalactite is formed.

So when writing becomes work and not a form of expression, all forms of it suffer, like this blog. I still love watching movies, though. My pal Dave once put it to me that all I have to do is play the movie and then write while it’s going on, but I can not do that. Like I said, I love watching movies. That means I only watch them when they can have my full and undivided attention. Those opportunities have become few and far between, what with building the stalactite, the show I do twice (and sometimes more often) a week, and my duties at the Municipal Channel and city meetings. I also like to throw my family a bit of attention every now and then, you know?

Cripes, don’t even talk to me about podcasts. My commute is ten minutes. No time.

So of course I got sick last week, and absolutely lost two days. Not kidding there. I have vague memories of walking to the bathroom and nearly not making it back to bed before collapsing again, but not much more.

I’ve been watching movies, though, when there was absolutely no way I could do anything else on any of these things without something breaking (likely me). I fully intend on writing about them (why waste that suffering?). It will happen.

And a nice, new poster, too!

And a nice, new poster, too!

In the meantime, there is one thing that mystifies me, and bears examination: it’s the taste of my fellow B-movie fanatics. I personally champion some incredibly disposable titles, but as we recall, I was moaning about The Visitor last time, and in the intervening time Drafthouse Films has come up with a 35mm print that is playing to some acclaim as an undiscovered masterpiece.

As you probably noticed, I didn’t feel that way. I felt it was crap. And not even lovable crap.

The first inclination is to doubt your own taste. Did the people whose raves I’m reading see something I didn’t? Has my own tour through the higher echelons of film blunted my taste for the absurd, for the cinema of lowered expectations? Good Christ, am I growing up or something?

The second inclination is to doubt everybody else’s taste, but that’s pretty short-lived as you hit on the probable reason for the gulf between the two schools of opinion: the people posting good reviews did so after watching one of Drafthouse’s presentations. In short, they saw it with an audience.

I have very fond memories of The Apple, mainly because my first viewing was at B-Fest, with a crowd buzzed on caffeine and high on their own creativity. That was a fabulous experience, and yet, I am positive that watching the very same movie, by myself, all alone, would be nothing less than a season in hell.

So, watching my Code Red DVD of The Visitor (which, like the Drafthouse version, is uncut) was possibly doomed to failure. I might have been more attuned to its *ahem* charms had I been in a hooting, hollering assembly… but I also think there’s still no way in hell I would ever consider it a good movie.

So bear with me. I’m still going to tell you about a bunch of movies I don’t consider to be good, either.

Eventually.

Labor Day Weekend & The Getting Back of Grooves

I know I’m not the only person who thought August sucked. Reports have poured in from all over the globe that yes, the August of 2013 was particularly brutal in all sorts of ways. Yours truly was seeking to get his mojo back, and not having a whole bunch of success. Let’s see how that shakes out:

The small matter of diabetes. Generally this was pretty favorable, as I settle into my new official lifestyle. The last week I was working on a solid seven days of healthy sugar levels when bam! my levels Saturday night shot up to 207. The cause? Apparently the stress of performing in my weekly show – that was the only change in my daily routine. For someone who has been acting most of his adult life, this is a daunting development. Frustrated, I had a cheeseburger after the show. The next morning, my fasting sugars were normal.

Wacky. I prefer to take this as a lesson in the magic of cheeseburgers, nature’s perfect food.

One thing I did manage when I wasn’t ruminating on the heat attempting to kill me and everything around me, was to develop a plan for re-organizing my home office. Yes, because I don’t have enough things to occupy my Copious Free Time. This is actually connected to one of the other problems of August, the Not-Watching of Movies.

Oh, I still did, as these infrequent ramblings prove. Just not to the excess or with the zeal of previous months. That most notorious of self-imposed regimens, The List, may not be completed this year. Things change. I change.

"I hate you, Netflix! HATE YOU!!!"

“I hate you, Tom Cruise! HATE YOU!!!”

I’ve done two movie-watching challenges this year, and those have done a number on me. I don’t necessarily regret either, but the cost extracted is problematic. I enjoy watching movies, and injecting a definite discipline into that watching kills some of the joy. Probably one of the reasons I never pursued a career as an actual film critic: I want that joy to stay. I’ve seen too many give in to a gradual souring until all they can do is point out negatives; I respect people who continue their love affair with the movies on a regular basis, and keep their writing fresh and accessible.

So. Just because I haven’t been watching movies on a regular basis doesn’t mean I stopped acquiring them, either. I now have quite a few movies I am genuinely excited about watching.

Which is why I want to re-organize my office.

My office pretty much arranged itself organically. When we moved into this house twelve years ago, most of the bookshelves found their way into my office, and they got filled. Then filled again. Then the overstock started hitting the floor. Then I added a reading chair. My computer desk has not moved from its corner, where I can look out the window and, if necessary, see who may be approaching the house – the paranoia of my youth has not completely vanished. There is an increasingly narrow path from the door to my desk.

booksSo current plans involve clearing out the piles of electronics and cabling and power sources that have landed in this room over the years. Clearing out the table that holds a TV/DVD player that hasn’t worked in ten years. My laserdisc player, which surprisingly, still does. Cataloging and boxing up stacks of books and either clearing a space in an equally chaotic garage to store them, or actually investing in a storage room (not ideal). Unpacking the boxes of DVDs that sit in the center of the room, determining which of them I am never going to watch and getting rid of them, and putting the rest in theoretically cleared bookshelves.

Then: Reorienting the former TV table and the reading chair to face each other. Buying a TV manufactured in this century and (ideally) a region-free Blu-Ray player. Maybe a sound bar, probably not. I still have the Roku that was on the downstairs TV, but I mothballed when we got a Smart TV.

When I bought that TV and its companion Blu-ray, I thought I was being exceptionally sly by making sure the first thing seen on it was Dancing With The Stars, thereby convincing my skeptical wife that it was, indeed, a necessary purchase. In the style of classical tragedy, however, this rebounded on me by ensuring all subsequent broadcasts of Dancing With The Stars had to be watched in HD, and I swear to you that fucking show is on four nights a week.

"And we have PEGGED Freeman's Hate Meter!"

“And we have PEGGED Freeman’s Hate Meter!”

So. I of course rarely buy DVDs anymore, because drool drool Blu-ray slobber giggle. And ergo, I need my own little island of Blu-ray viewing so I can watch these fabulous movies I’ve been stockpiling, at will.

The real problem with this dream is the amount of work it’s going to take, in a schedule that includes my part-time job, the other part-time job, the other other part-time job, and the two ongoing writing projects, not to mention any housework, cooking, or parental duties. I estimate two months before I’m even ready to price TVs (I’m lying, I’m already doing that) and start reaping the benefits of this madness.

But like i said, in the meantime, I managed to watch some movies.

the-vixens-of-kung-fu-movie-poster-9999-1020686440Sometimes your interests in obscure movie subgenres lead you down a darkened alley with whispered promises and then punches you, takes your lunch money and runs away. Actually, that’s a pretty fair description of what happens most of the time. That is certainly the case with Vixens of Kung Fu. It’s a somewhat legendary grindhouse feature, primarily legendary because for years, it was damn near impossible to see. It’s a hardcore sex film with kung fu elements, although the martial arts elements here make David Carradine look like Jet Li possessed by the spirit of Bruce Lee.

Bree Anthony is walking through some autumn woods and gets accosted by three porn actors (One of whom is supposedly Jamie Gillis, though I didn’t recognize him). She runs away, but get shot in the back. The three lowlifes then proceed to rape her semi-conscious form while the music changes to bluegrass. About a half-hour later, under the tender lesbian ministrations of a female kung fu master (C.J. Laing), we are told that she was shot with “the gun of anesthesia”, which explained the lack of bullet holes and other trauma, I suppose.

So there are some ladies who are Laing’s students, who practice some questionable martial arts and meditation that causes smoke to issue from their lady parts. A lanky yellow-clad caucasian monk ventures into their territory, gets waylaid, is declared an unsatisfactory lover and tossed out. He begs another female master – currently disguised as a cook in a Chinese restaurant – to teach him “Golden Dragon Raising Head Kung Fu”. Which involves training and masturbating in the woods. There is another showdown, with the Monk and Anthony acrobatically schtupping each other into unconsciousness.  Yeah, forget the rapists, I guess they were too expensive to bring back for a vengeance scene.

vixens fuThe Vinegar Syndrome DVD is unbelievably gorgeous – the autumn foliage really pops. Porn, however, is always boring, and there wasn’t anything Vinegar Syndrome could do about that. Vixens has its wild moments that raise it slightly above the norm, but there’s not enough of it to make it interesting enough for a recommendation.

Hey, remember Jack Reacher? Remember how a lot of people were pissed off that Tom Cruise was playing the main character? Man, that seems like it was so long ago. Long enough that the Blu-ray is cheap, so I bought it, primarily because I was intrigued by the idea of Werner Herzog playing the bad guy.

tom-cruise-goes-badass-in-new-jack-reacher-poster-117953-00-1000-100I haven’t read any of the books – and was, in fact, unaware of the character at all – so I didn’t have a dog in the Tom Cruise hunt. What I did find was a pretty serviceable, if fairly unoriginal, crime investigation movie that morphs into an action flick as our heroes get closer to the truth.

The plot concerns a sniping incident involving the death of five people, apparently the work of a crazed loner trained in Iraq. His only statement under interrogation is “Get Jack Reacher”. Reacher is a former Military policeman who caught the culprit in a similar incident in country – but there are several inconsistencies with the current shooting that stick in his craw. Behind the machinations, of course, is Herzog as a man known only as “The Zeck” – who once gnawed the frostbitten fingers off his own hand in Siberia to prevent gangrene.

Herzog is muted and incredibly creepy as the criminal mastermind. I thought Cruise was fine as Reacher, though, as I said, I have no prior knowledge of the character to color my judgement. The supporting cast is terrific, there are a couple of good fight scenes. Overall, though, you can wait to see this on Netflix.

Over the past year or so, I’ve watched two movies about Idi Amin. One, Amin: The Rise and Fall, was a somewhat sensationalized docudrama. The second, The Last King of Scotland, was pure fiction with enough basis in fact to make it solid. So somehow I find myself watching Barbet Schroeder’s General Idi Amin Dada: A Self-Portrait, which is undeniably the real thing.

general-idi-amin-dada-a-self-portrait-movie-poster-1974-1010675046Amin granted Schroeder a number of interviews and staged several adoring rallies for the camera. He also gathered together 150 French citizens living in Uganda and threatened to kill them if Schroeder didn’t cut three minutes from the movie. Schroeder, of course, did so, and at this point the “Self Portrait” portion of the title came into being, as Schroeder felt it was now totally under Amin’s control. After the dictator’s deposing, the cuts were restored, and that is the version Criterion rightfully issued.

The cut portions mainly concerned public executions, and a few snippets from a dispassionate narrator mentioning the staged appearances, or pointing out people who would later be found mysteriously dead or vanish altogether. These quite undercut the persona Amin presents otherwise, an affable man of the people, always ready with a joke or a laugh – downright charming, most times. It’s surprising Amin didn’t want one entire section cut, when he is conferencing with a very critical group of senior physicians, and Schroeder zooms in his face – unhappy, brooding, eyes darting back and forth as if seeking escape – as in that moment he actually looks capable of ordering the death of almost 300,000 of his countrymen. Then he turns on the charm and gets the doctors laughing.

Schroeder ends the movie with that same close-up, and with a bit of narration that Amin did insist be cut; that cut remains, and the moment plays out in powerful silence.

Labor Day I journeyed into town with pal Dave to see an animated movie that he – and a couple of my other friends – did voice talent for a couple of years ago: Last Flight of the Champion. This was apparently the culmination of two brothers’ lifelong dream, and by golly they even managed to get a (very) limited theatrical release. There were about seven of us in attendance, and we owned that theater.

the-last-flight-of-the-champion-105892-poster-xlarge-resizedThe plot isn’t new; galactic despot is taking over planets (I guess because he can), and a painfully earnest young turtle guy finds a buried spaceship left over from the last round of galactic despot fighting, the Champion. Yes, turtle – this is a sci-fi universe populated by animal toons alongside humans. The turtle puts together a crew of similarly painfully earnest misfits and flies off to take on Darth Meanie and his armada.

I went into this movie with great misgivings, mainly thinking that there were movies I really wanted to see but couldn’t carve out the time, like The Conjuring or You’re Next, but here I was walking into a theater to see something that had been described as having computer animation on the level of a local TV commercial.

Well, it wasn’t that bad. Pixar has nothing to worry about, but there were some very nice sequences. The characters aren’t very detailed (and there are way too many of them), and for some reason the animators, when the script says “Let’s hurry!” still has everyone cycle through the same walk animation they’ve been using the whole time. The script is pretty good, though there are some clunky parts, and the story shows some drastic cutting – but my friends did good work, there’s some cleverness in the background details, and overall, it didn’t suck. In fact, it was downright painless.

So that’s The Last Flight of the Champion. You got kids who like science fiction, it’s a safe bet.

“Rated PG for some rude humor.” Huh. That means a monkey flings poo. Offscreen. People only talk about it. I don’t get the MPAA.

A Report from Busyland

You know what? It actually does chafe my lazy ass when I don’t weigh in here for a while. Really, it does. Though that amounts to the posterior of a rat when I don’t have the time to do a halfway decent job of it; I suppose if I didn’t care about things like spelling and general grammar it would be a lot easier. Speaking of spelling and grammar:

Most of my free time is taken up by being paid to slam words together. I’m currently working on three separate projects, of which only one is a sure thing, but that sure thing is paying me actual money. Money is good, I like money. I’m fairly certain that not stressing over getting the bills paid has put an extra month or two on the back end of my lifespan.

SAY HELLO TO MY LEETLE FRIENDS!

SAY HELLO TO MY LEETLE FRIENDS!

Money also helps in the other current fun struggle of my life, my recent diagnosis of Type 2 Diabetes. That is not going as swimmingly as I would like, but pfft! What does? It doesn’t take a pack of scientists to point out to you that Eating Right is expensive, which makes no goddamn sense to me, but that only means that it fits in well with the rest of the world at large. I started with unregulated sugars near the three hundred mark, and now generally clock in under 200. I need to exercise more, but A) gyms are also expensive, and B) we are currently experiencing one King Hell heat wave, which renders the outdoor exercise idea kinda risky. Twenty years ago, I would get up at 4am to get in five miles before the sun came up and tried to obliterate the city. I was also twenty years younger then.

Besides trying to coax creativity out of a brain trapped in a system with changing blood chemistry, I find that the other thing cutting into my movie-watching time is the twice-daily blood test. Most of my movie-watching got done in the evening, after dinner. I now have to wait 30 minutes after din-din to do the evening stick, and I haven’t gotten good enough at it to perform the ritual in my easy chair. I need a desk or table to hold everything at the ready, glucometer, lancet, alcohol pad. Doing otherwise really tempts the Blood Gods and I wind up wasting a test strip, which even bought at a discount cost 25 cents a pop. What I’ve gotten really good at is cursing, though many would opine I already had a fair mastery of that art.

As I’m writing prose, I’m also reading more. I’m pleased to announce that so far, Richard Kadrey’s Kill City Blues may be his best yet. But I feel that I’m stealing time away even for that.

Enough. I watched some stuff.

BurdenOfDreams_poster01Ever since Fitzcarraldo, I had wanted to see Les Blank’s documentary on its making, Burden of Dreams, which, unlike a lot of Blank’s work, is fortunately available on a Criterion disc. Given Herzog’s penchant for absolute, even dangerous realism – that is damn well a real boat being hauled up that incline – it is no surprise that the actual filming was a massive clusterfuck on the level of Apocalypse Now.

But the surprising thing is – and Herzog acknowledges this in the supplementary material – is that Blank produces a documentary that is not so much a retelling of the filmmaking process, but of the life around the process, how it affects and possibly even changes people. The film junkie in me is kind of disappointed, but Herzog admires and respects the result, so I probably should, too.

My son & I went to see Pacific Rim, and we had a whole lot of fun. I am bemused that a whole generation of kids are going to know the word kaiju and have no idea who Godzilla is, or worse, think he’s a giant iguana. Maybe next year’s movie will change that.

Yes, I know a lot of people diss Pacific Rim. I don’t care. Haven’t you figured that out yet?

And speaking of not caring: it was about that time that Sharknado hit. It certainly lit up Twitter, though that didn’t seem to convert into ratings numbers; nevertheless, it was rebroadcast the next week, got a theatrical booking, and the sequel is on the way.

Sharknado_posterI don’t have cable (too expensive for something I wouldn’t use). This did not stop people from chiding me over my lack of opinion and bloviating about Sharknado. They were disappointed in me. Where was my bad movie moxie? When was I going to watch it? Huh? Huh?

Well, since I am apparently some sort of dancing monkey, I found a way to see it. The movie achieves Maximum Stupid in the first three minutes and spends the rest of the movie trying to match it. It comes close many times. This really is the sort of thing I would have gone on and on about for 2000 words back in the day, but you know what? There are lots of people already doing that for Sharknado. I see despairing posts from other critics about how they’re tired of spectacle, how Man of Steel‘s fight scenes put them to sleep, waaaaah. That’s how I am with stupidity. Especially willful stupidity. Make no mistake, that’s what this is; once they had that title, they ran with it. I appreciate that. However…

I had Wild Strawberries and The Life & Death of Colonel Blimp waiting on me upstairs, but there I was, succumbing to peer pressure and watching Sharknado. This dancing monkey didn’t even get some coins in his tin cup.

So after spending most of its running time wondering where the title character was and saying things like, “Wow, you can firebomb a tornado out of existence from a helicopter?”, I shot the world the finger and watched Onibaba.

full.onibaba-mexicanlobby-21292__11538.1374517744.1280.1280Onibaba had been on my radar for a long, time, since my teen years when it cropped up in a book about horror movies. So it finally got scooped up in one of those Barnes & Noble Criterion sales.

Based on a Buddhist fable, it’s the tale of two Japanese women in the (I think) period of constant civil war preceding the Tokugawa era. They are a mother and her daughter-in-law; the son went off to war and while they wait for him to come back and work the farm, they make ends meet by waylaying defeated samurai seeking to hide in the sea of reeds surrounding their hut. The samurai’s bodies are tossed down a  deep hole and their armor and weapons traded to the local black marketeer for grain.

The son’s friend returns with news of the son’s death, and so begins the unraveling of the relationship between the two women. The friend makes a play for the recently widowed daughter-in-law, and she returns his interest. Mom is worried that she’ll be left to fend for herself, and is also dealing with not a small amount of sexual frustration herself.

onibaba2While the two young’uns are out dallying, Mom has to take out a samurai wearing a demon mask all by herself, and gets an idea. Once she takes the mask off his corpse – revealing a hideously disfigured face – she uses the mask to scare the daughter away from her nighttime visits to her stud. Since I found this in a book of horror movies, we can be pretty sure that this is going to backfire in some terrible manner.

Onibaba is definite slow-burn material; director Kaneto Shindo (who passed away only last year, and was also responsible for Kuroneko, another Criterion offering) serves up great vistas of tall reeds swaying in the wind like a vertical ocean, its turbulence obscuring and drowning his characters. It’s astounding how erotically charged the relationships become, how the daughter blossoms under the interloper’s attentions. This is another movie that, although made in 1964, when even Roger Corman was making color movies, could not have been produced in any medium but black and white. The characters, though far from smart, are drawn with such craft that their survivalist cunning was more than a tonic for Sharknado.

Absentee Landlord Writes In

You may not believe it, but I do try to post here at least once a week. That really doesn’t seem too much to ask, does it? A few hours a week, devoted to this little corner of the Web? Except that this hasn’t happened this month, and here’s why.

The stunningly obvious: there was that Roger Ebert month burning me out on watching movies and writing about them, followed up by the local Independence Day festivities, which always serves to point up exactly how old I am and how many of my body parts have been busted over the years (fewer than Jackie Chan or Evel Kneivel, but then, I don’t feel their pain except in the most vicarious ways). I retreated to one of my older favorite activities: sitting in my easy chair and reading.

devil saidSo, for our first digression: I finished Richard Kadrey’s Devil Said Bang, the fourth Sandman Slim novel. I love Kadrey’s work – its punk tone, the characters, the dialogue. It’s Raymond Chandler for people who cut their teeth on splatterpunk and b-movies. If I have one complaint about Kadrey’s novels, it’s that his prose is so stripped down, eschewing even the idea of chapters, that his novel’s climaxes don’t have as much raw power as they deserve. His endings seem a little too tidy, with the exception of Aloha From Hell, which had a pretty remarkable game-changing denouement. I still look forward to Kill City Blues, out at the end of this month – his novels are great rides, and the pros far outweigh the cons.

gun machineWarren Ellis’ Gun Machine was taken up after that, which, while not as gonzo as his previous prose novel, Crooked Little Vein, is still a bracing, fiery beast of a detective novel. In one day, NYPD detective John Tallow loses his partner and opens the most bizarre case in the city’s history when he discovers evidence of a serial killer’s work going back 20 years: a room decorated with guns used in practically every unsolved homicide in that time. He’s aided in his investigation by two eccentric CSUs named Bat and Scarly, a very entertaining Odd Couple. Intriguingly, the killer himself seems to slip and slide between present day and pre-Revolutionary War Manhattan. The ending was a tad disappointing, but the characters are incredible, and it’s with a mixture of joy and sorrow that I find out Gun Machine is being developed for TV.

I needed something to fill my time between Gun Machine and the release of Kill City Blues (which I hope to tide me over until Lyndsay Faye’s Seven for a Secret comes out in September), when I remembered Andrew Vachss had a new novel out, Aftershock.

andrew-vachss-aftershockI’ve been reading Vachss for years, starting with his Burke books. He writes fascinating, dark books filled with compelling characters on the fringe of society. He’s also a writer who pumps a very large amount of his personal rage into his novels. Aftershock is very obviously based on the Stubenville High School rape case, and presents a new character, Dell, a highly-trained, emotionally-damaged mercenary trying to make a new life with the woman he loves (a former nurse with Doctors Without Frontiers who saved his life and his soul). Dell has the smarts and the skills to take on the people responsible for the rape culture in his new hometown, but is savvy enough to use the System to pull it up by the roots. Not my favorite Vachss novel, but I also have to admit I could not put the book down in the last 75 pages or so.

Well, that was a nice diversion. Now let’s get to the bad stuff.

There has, thank God, been an uptick in paying work this year. The hanging on by fingernails stuff was getting very wearying. That, you might point out, is good, and I agree. I enjoy having a little money as compared to no money at all. But. This also means I was able to pay for the labwork my doctor was insisting on. Oh, it was high time for it, I admit. I’ve been on blood pressure and two forms of cholesterol medication for the past year and a half. In my last bout of dental work, a routine BP check showed it to be running a little high, so that dosage needed to be looked at, blah blah blah.

When I received my copy of the lab results, I knew trouble was on the way. I had successfully gotten a couple of the cholesterol counts down, but one was still a little too high and my triglycerides were through the roof, and probably took out three jet liners on their way up. But there were other indicators that confirmed some suspicions I’d had for a year and more.

At my last eye exam, the optometrist said, “Hm, your eyes are dilating very slowly.” There was a lessening of sensation in my feet. My vision would be very blurry after waking up – when I managed to sleep. My blood pressure med is a diuretic, so I had to go to the bathroom more often, but I was doing that with ridiculous frequency. Constant fatigue was beginning to be a problem.

hmmm-diabeetus-you-saySo while the nurse practitioner was going over my results with me, she looked up and said, “Have you gone diabetic on me?” I could only say, “Sure looks like it, doesn’t it?” Following in the footsteps of my father and his father before him.

So I have more pills now. No insulin – at this point, we try to control it with pills, diet and (ha!) exercise, meaning I have to find one that doesn’t put me on the cane more than I already am. A lot of the lifestyle changes I had already made; I’m now working on stuff like reducing carbs and saying farewell to my beloved hot dogs. Sugar I largely cut out years ago. I stick myself for the glucometer twice a day; the initial outrageous readings have trended downward since.

The blurry vision has abated. I’m sleeping a little better. I may not have pep in my step but my mind seems clearer of late. It’s kind of like I was cocooned in some sort of white noise for the last few months and that’s finally diminishing as my chemistry normalizes.

Needless to say, this isn’t an experience I recommend. Just stepping into the field of glucometers was a nasty eye-opener, as those things and their test strips are based on the printer/ink cartridge business model. The first thing I did was search the Internet for a place that sold test strips at a quarter of the price of my drug store. My wife, who has years of experience as a diabetic, has been an invaluable resource to me in this time. I think she’s glad to finally have someone close to share this with.

fail-owned-wendys-failSo that took up quite a lot of my time (the saga of six separate trips to the lab? Won’t bore you with that story). Finally, in attempting to end this on an up note, I’ll say that a couple more writing projects have presented themselves. One won’t start paying off until next year, but another will this year – and the other writer backed out on this one due to time constraints, so I’m flying it solo – for more money – but that means my work there just doubled. My weekend acting gig has decided it is time to mount a new show NOW DAMMIT, so there goes even more time. My time management skills will get a workout, even if it’s not the kind of workout I need.

I’m still finding time to watch the occasional movie, though. Maybe I’ll even have time to tell you about those. Some time.

Twitch twitch

My week, artist's interpretation.

My week, artist’s interpretation.

I’m alive. Not very nimble or demonstrative, but I’m here. On my second day of “rest”, if your definition of rest includes mundane chores like going to the grocery store and having your car’s oil changed. I was thankful for the timing of President’s Day, as it gave me an actual weekend to recover.

The best part of last week was going to the monthly meeting of the local School Board, when the two people who normally run the cameras while I ride levels on the sound board were both absent, and i found myself running the robot cameras for the first time. Many freshman mistakes were made that night, but as my supervisor at the District said, “If anybody complains, I’ll tell them to come run the cameras next time.”

I look forward to going back to my usual work station next month.

You remember how I keep saying the 60s didn’t really die until the early 70s? Well, the week from hell won’t die until tomorrow night, when we have yet another private show.  Toughest part of this one should be maneuvering through rush hour traffic to get to the hotel. Then I get to be an asshole for two acts, then die.

The flip side of the President’s Day coin, too, is that being unsalaried, I have to move my regular Monday hours across the rest of the week. The ring I’m holding out for myself is a Crapfest this Saturday. I’m looking forward to that.

Sunday involved a lot of movie-watching. Both parts of the animated Dark Knight Returns, which was superb, although I was sadly underwhelmed by Michael Emerson’s Joker (Peter Weller is an excellent Batman, though). Skyfall, which was good, and The Man With the Iron Fists, which wasn’t, but I intend to talk about that later this week. Also watched the 1973 The Outfit, because Daily Grindhouse wants to start the podcast up again. It was a pretty good, stripped-down version of the Donald E. Westlake novel, and it really made me wish Robert Duvall had done more badass roles.

Now I need to do some writing for pay, so please excuse me. I just didn’t want to interject another lengthy pause on the blog.

 

I’ll Be Back

29266688if I live.

This weekend… Ha! Weekends! What the hell are they? This weekend was just the prelude. Friday morning I was pressed into news anchor duty at our weekly newscast; the usual anchor was down with a kidney stone and a stomach virus. We’re shorthanded as it is, so I got to put on makeup, a tie, and be presentable.  The results were acceptable, if not stellar.

Then, Friday night, a traveling show, a very special kind of hell, this time involving mys on and my wife, who was subbing for an absent actor. It was an evening full of hurry up and wait, and then oh my god get set up, get set up now, followed by more hurry up and wait, then doing the show, then hurrying up and waiting to tear down our stuff and pack it away. The room was apparently chosen for it’s extreme distance from the freight elevator.

Next night: regular show. Then, Sunday morning, can you please read at the 8:30 service, it will be super easy! Except for the getting up after only a few hours of sleep!

All this prelude. Prelude, to a week where the occasional fart is going to have to be carefully scheduled. Regular work, Monday through Friday, except for Wednesday, when I come in later to tape a lecture. Monday Night, School Board meeting. Tuesday, Thursday, Friday and Saturday nights? Shows, all of them. Well, at least I get Wednesday night off.

“Listen, could you do the evening service on Ash Wednesday? It will be super-easy….”

Writer’s meeting Thursday afternoon. Can’t miss this one, I missed last week’s due to being in the middle of a State Park shooting a story. I said I’d have another script finished by tomorrow, then found out I don’t have the desired script template.

Like I said, if I live, I’ll be back.

I Yet Live

I’ve managed to survive that hellish week-and-a-half, though there were times I was fairly certain that it would have been possible to just lie down and die, like you hear about aboriginal elders doing. I would eventually exit those scenarios, and would lie down, but didn’t die, and that’s all to the better, I suppose. We’ve all heard the “I’m tired, but it’s a good tired” canard before, and yeah, I’ve experienced that. Not this time, though. It was a bad, cranky , irritable tired, a good-christ-will-you-people-get-it-in-fucking-gear-so-I-can-go-home tired.

It was a big week for The Show, the interactive dinner theater murder mystery thingie that supplements my part-time day job, almost adding up to a living wage. I have been doing this Show for, off and on, 15 years or so now. Yes, that is a pretty sobering realization.

Here is the thing about The Show: it is a gypsy operation with no true permanent space. There is a bit of room in the hotel’s banquet office where we keep our costumes, but by and large, everything else is packed into an aging minivan. This means I start every show by being a stagehand, carrying equipment from the van into whatever room we are occupying that evening. Then I get to be a technician, setting up the sound equipment and testing it. Then I get to be an actor for two-and-a-half to three hours. Then I return to technician land, breaking down and putting away the sound, then I get to be a stagehand again, loading equipment back into the van.

Sometimes, when you get several shows in a row, you luck out and get to stay set up in the room, with only minimal changeover activity. Last week was not one of those weeks, being the holiday season and all; in fact, the hotel’s schedule is so jammed that we wound up cooling our heels for close to an hour and a half while the room’s prior occupants finished up their presentation. This had happened once before, years ago and in another hotel. That time was bitterly amusing because the offending group was a time management seminar. This time it was a bunch of telecomm suits who didn’t seem much interested in the blather coming from the Power Point operator, and kept coming out into the hall to chat on their cellphones and be glared at by surly actors.

Setting up everything takes an unhurried hour or so. Thanks to this late group and the early scheduling of a weeknight show, we were being asked to accomplish this in 15 minutes. That didn’t happen; most of it was accomplished in 35 minutes, but then actors had to get in costume and make-up. All in all, the client group spent 45 minutes in the bar, which they didn’t mind, oh no, far from it. They were pretty well lubricated by the time they took their seats.

I hate drunks.

This is one very important reason why I never ever seriously considered a career in stand-up. Folks with a genial buzz on laugh more easily as their inhibitions loosen, but drunks have all barriers removed, they think they are funnier than you will ever be (never mind that you have been doing this professionally and successfully for 17 years), and for a drunk, volume is equal to hilarity. That particular show was a struggle to maintain control, and the aftermath, after the laborious loading back in, was the inevitable period of “What the hell am I doing with my life?”

Roger Murtaugh has become my spirit animal, “I’m getting too old for this shit” my mantra. That became very stark Sunday when the Show traveled; we were actually performing at some teenage girl’s birthday. The teenagers, I should hasten to say, were fabulous; they enjoyed themselves immensely, and the only slight problem was getting our stuff loaded out while they were dancing at the end of the evening. But we got really good at dodging each other.

The exhaustion hit in earnest that evening, and now, on Tuesday, I’m only starting to dig out from under. I obviously haven’t done bupkis on this blog, though I’m way behind in reporting on the movies I’ve watched. Then there’s the other writing project, the one I can’t tell you about, but the one that’s actually paying me money. Absolutely nothing got done on that front, but then most everyone else involved in that project was off at some conference all last week, so I’m not the only one.

In case you were wondering, the movies seen were Dark of the Sun, Black Orpheus, and Eyes Wide Shut. One day, I may get to tell you about them. I still have 18 movies left on the Lists to watch before the end of the year. If I don’t figure out how to lie down and die before then.

Fan Mail From Some Flounder

In my book, there are a few things you don’t discuss, and by you I mean me. These are the usual suspects, politics and religion. Yes, I have my opinions and beliefs. They are mine. If you ask, I will likely tell you them, but they’re not open to discussion. If I’m interested, I’ll ask yours. But frankly, I’m usually not interested.

Nothing comes of these discussions. Well, if there was an actual discussion, it might; but generally, on these subjects, it just becomes an acrimonious debate, each side attempting to score points and drown out the other. I don’t have time or the patience for it. My blood pressure is finally stabilized, and I intend to keep it that way.

Yes, future archeologists, I am writing this in an Election Season. How very astute of you.

I voted on the very first day of Early Voting, another reason why political discussion is a waste of time with me. It’s done, I’ve moved on. In the car, if I don’t need a traffic report, I use an MP3 player instead of the radio (Houston radio is mostly garbage, anyway). I don’t watch much TV in the first place; Netflix and DVDs are my entertainment source.  There is no other media solution for the Already Voted, no surcease from political advertising, and if there were, it would probably be infested with those waiting until Election Day or not voting at all… everybody’s sick of it.

It could be worse. I could live in one of those “battlefield states”. Texas is as red as undercooked steak, something my nose gets rubbed in repeatedly. It is a place where you can wear a T-shirt that says “Fuck Obama” to a family restaurant with apparent impunity.

But there I go, getting political. It’s infectious, in the worst way. It surrounds you, engulfs you like an amoeba. I check Facebook only sparingly; I’m not inclined to shun any friends because they hold a differing opinion from mine, unless it’s on some subject like whether we should eat arsenic or not. But it can be distressing in a very real sense. As I say, these things have a tendency to get ugly very quickly.

Our neighbor across the street has had a sign reading “Vote Republican – We’ve Can’t Afford Any More Change” in his yard. I find it intriguing it is not specifically a Romney endorsement, but I shrug and move on. His yard, his opinion. That is what makes America cool.

My wife is an ardent Obama supporter, however, and that sign rankled. So much she obtained a larger Obama sign and placed it in our front yard. And got Obama magnets to put on our cars. All very well and good. They’re the only political signs on our little cul-de-sac, so we’re nice and balanced.

Then I found a little leaflet in our mailbox, shoved far back, farther back than the mailman ever does – with studied efficiency  he places the mail near the front, slaps the box shut, and moves on. It was a small, trifold religious pamphlet with the words “DEATH — ARE YOU PREPARED?” on the front, the screed in the middle, and a form for more information on the back. That’s what caught my attention:

Yeah, I got smart and blotted out actionable stuff. But, let me attempt to translate:

obama voter are taker

wake up and smell the roses

“obama” is the baby killer party

Gay marriage (although that might be “Guy marriage”, which is to them, I am sure, the same thing)

you can’t be a Christian and vote for a baby killer

The party who kicked “God” out

This is my first actual, physical piece of hate mail. Oh, I’ve gotten hateful e-mail before, mainly from fanboys who were butthurt that I did not regard KISS Meets The Phantom of the Park with proper reverence, or  that I might have hurt the BeeGee’s feelings when I trashed the Sgt. Pepper’s Lonely Hearts Club Band movie. I am quite, quite serious about this. Those e-mails had the same general tenor.

Of all that, I find myself most drawn to the quotation marks around “God”. I mean, was it not actually God who was kicked out, but an air-quotes “God”? Some sort of simulation? Was the writer not even certain? It’s like the quote marks around “obama” that turns “obama” into the name of the party, if not the party itself. This is the sort of thing that makes the copy editor in me nuts. Sorry, the “copy editor”.

Besides the number of Christians that have voted for baby killers in the past and will continue to (sorry, you start slinging around a broad epithet like “baby killer” I’m going to have to point out it doesn’t just refer to abortion, but every child that’s been killed in a war, that dies of malnutrition, that dies from lack of proper medical care), there is also the lovely cliché, “wake up and smell the roses”. implying I am asleep and cannot smell, which, coming from someone who intended to tell me about why their particular interpretation of a Sky Wizard should affect my life, (at least until they saw the baby eater sign in the front yard) is risible to me at the very least.

There was a cold moment of “You fucking coward, you couldn’t even say this to my face, could you?” And then, I laughed.  All their saying this to my face would have gotten them was my door slammed in their face, if I had even opened it in the first place. (Last time I checked, there was no law that stated I have to open my door just because you knock on it). No, this time they had not even approached my door, perhaps afraid the evil Obama sigil would reach out and grab them like a lamprey, sucking out all their sweet moral fiber.

So that one sign had done what no amount of not answering the door or Sorry, not interested or Could you come back later? I’m sacrificing a black goat in the back yard right now could accomplish: it deflected the missionaries, it left me in peace. I wonder if I should leave it out there after the election.

There, that’s that. I found it interesting, that this person was so discomfited by a sign that he or she not only ignored their supposed calling but felt it necessary to put pen to paper to tell me how horrid and rotten I am. It has been that sort of election. Each side is filled with demons, and they just look like our friends used to look, they can’t be our friends anymore, they believe in the wrong things. There are times I really wish the panic merchants were right and the world would end in December. It would almost come as a relief. Things really cannot continue like this without something breaking.

In the meantime though, I’m going back to writing things not for myself and then maybe write about something safe like the movies I’ve watched (well, safe as long as I don’t diss any rock stars) and then work my three jobs in an attempt to pay this month’s bills. Cuz, you know, I’m such a taker.

Movies: Shaolin List of Tears

There is typically not a whole lot of organization to my movie watching. Take last Thursday for instance. It hadn’t been a bad week, but it hadn’t been a great one, either. Bored, listless, I decided what I needed was some Kung Fu Treachery. So it was time for a movie I’d owned for years, but never watched: Shaolin Prince (1982).

This is, the box tells me the first of only three movies directed by fight choreographer Tang Chia,and at first glance it looks like pretty typical wuxia fare. Two infant princes manage to escape the slaughter of the rightful Emperor and his family by the villainous Lord Nine. Separated, one is raised by the Prime Minister as his own son, the other by monks at the Shaolin Temple.

You’re given some clue as the bizzareness of the rest of the movie by Lord Nine’s two underlings, who specialize in fire and water attacks. The Fire General’s attacks are especially impressive, blowing stuff up left and right. Then, when the other prince is handed off to the Shaolin Temple, he is adopted by what are basically the Three Stooges of Shaolin, who are living out a lengthy exile in a small building at the back of Temple, in punishment for doing… well, something wacky, I’m guessing. But it turns out that having nothing better to do, they have honed their kung fu to incredible heights, which they spend the next twenty years teaching their new charge. In wacky ways.

The Shaolin Prince grows into the always-wonderful Ti Lung, while the other prince tips his hand by traveling to the Temple to study the one style which can defeat Lord Nine’s Iron Fingers technique. This, of course, sets up a meet cute between the two princes, who have to join forces to survive.

Despite the fairly hoary plot, Shaolin Prince easily kept me entertained. The fights are creative, there’s a side plot with a murderous ghost the Temple monks must exorcise, Lord Nine’s sedan chair has more weapons than 007’s car… hell, the wacky monks, whom I was sure I was going to hate? I wound up warming toward them, too.

And there is lots and lots of Kung Fu Treachery, all the market could bear. The box also claims there were five choreographers at work, and some real difference in the tone of the various (and plentiful) fights bears that out.

The only trailer on youtube is in unsubtitled Mandarin and bears a pretty intrusive watermark, but I guess that’s what you get for not ripping the trailer yourself and uploading it:

The next night, I was casting aimlessly about (again), and finally decided to re-watch another movie I recalled seeing on TV while very, very young, but remembering almost none of: The List of Adrian Messenger.

List presents us with a British, moustached George C. Scott, a former member of MI-5, who is given a list of names by his writer friend Adrian, who is pretty coy about what the list means. He wants Scott to “see if those men are still living at those addresses,” and is unwilling to voice anymore of his suspicions at that point.

Well, when the plane Adrian is taking to America blows up the next day, Scott begins to realize what we, the audience, have privy to since the picture started – someone has been killing all the men on the list, and making it look like an accident, and Adrian is only the latest victim.

List is very oddly structured; we know the killer is played by Kirk Douglas and that he is a master of disguise; this revealed in a very effective sequence in an airport restroom where he first removes contact lens, revealing his true eyes – icy, steely grey in this black-and-white movie – and peels off the layers of his latex disguise. Though we know who he is, we discover his motive along with Scott, and The List of the title is completed about halfway through the picture; then Douglas reveals himself and begins the second part of his scheme.

The List of Adrian Messenger is going to appeal to a fairly narrow audience these days, I suspect; its story takes place mainly against a backdrop of genteel landed gentry – foxhunts play a major part in the proceedings – and though there is a fair amount of satire in those parts, it seems even more foreign and exotic here in 2012.

I almost forgot the best part – The List of Adrian Messenger is also a “gimmick” movie, though not in the same way as William Castle’s ballyhoo masterpieces. There are three other big name stars in small roles throughout the picture, disguised in Mission Impossible full-face masks, just like Kirk Douglas. Can you spot them? Spotting the make-up is easy, the identity of a couple of them, not so – and having Paul Frees do a substitute voice on one is just cheating.

Couldn’t find a trailer, and what is tagged as atrailer is actually the opening credits, but it does give you at look at these stars in disguise:

Saturday morning, I was the only one up and had unlimited control over the TV and Netflix, so I decided it was time to watch Tears of the Black Tiger, which continued my run of oddball movies.

The briefest way to describe Tears is: it’s a candy-colored Thai spaghetti western about two star-crossed lovers. Going deeper, though, what we find is a sweetly heartfelt romance blended into a parody of sweetly heartfelt romance movies, westerns in general, and even Hong Kong heroic bloodshed movies. Like many great parodies (Black Dynamite, Lethal Force, Lost Skeleton of Cadavra), it doesn’t single out one movie to target, it amasses all the cliches from the genres and incorporates them into a new movie, one that’s its own creature, reminding us of many movies but still establishing its unique identity.

The gunfights positively wallow in hyperviolent bloodshed, echoing Peckinpah and the more extreme HK gun-fu flicks. Director Wisit Sasanatieng manipulates color ruthlessly, creating a world that at its most realistic looks like a hand-painted postcard, at its most extreme, expressionist art. And still, despite all these boundary-pushing techniques, he keeps the love story affecting; you really come to care for the protagonists in this city-girl/country-boy plot, and want them to overcome the odds, to finally be together. The ending is not quite so easily spelled out as that, possibly Sasanatieng’s final nose-thumbing at these movies, but at least we get the impression that everybody’s cards are finally on the table. The girl is in the hero’s arms – what more can we ask?

Well, quite a bit more, but we ain’t getting it.

It’s Sunday morning as I finish this up. While unloading for last night’s show, a door pinned my foot and my leg stayed behind while my body moved forward. In short, I had a hell of a graceless, hard fall. Sleep last night was minimal, but at least I’m not too badly off this morning – the worst is a severe rug burn running the length of my right arm, which looks pretty gruesome. Finding a bed position where it doesn’t rub against anything is difficult, but I hope to give it another try soon. Thank heaven it’s short-sleeve shirt weather.

My wife is out of town this week, leaving me with a fourteen year-old who no longer likes my cooking. (But he does like making himself Ramen, so I guess that’s a win) I have three, count them, three City Meetings to work this week, so I won’t be watching another movie until Thursday night, it seems. Unless I sneak one in tonight, but I don’t know when I’ll be able to talk to you about that one.

So tally ho and all that. And watch out for doors. Those damned things will kill ya.