Okay, let’s try some analysis.
The line I’ve been staring at for so long is “I’m not going to school today.” From this line there are two paths obvious to me; one is preachy and boring, and will wind up in the same dustbin of ridicule as Reefer Madness. The other leads to the Columbine Massacre, which would be a sensational, disturbing conclusion no matter how it was handled. Impactful, as we used to say in the marketing world, and it would never, ever fly. More appropriately, it would never make it past the written page.
There is another path, to be sure, the path that eludes me, the path that the script will eventually take. The path that is interesting and entertaining, at least to the people holding that paycheck. The fact that these nebulous qualities are about as concrete as any indication to the direction or even content of the script by these Powers That Be doesn’t help. Add gun-shyness into the mix.
Here is likely the worst part of the equation: anything else I write at this point is at the cost of time spent on the script that is giving me problems now; any time devoted to anything else, the Calvinist angel on one shoulder proclaims, is delaying payday, and that’s bad, it’s so very bad.
Yes, to be frank, I don’t give a rat’s ass about this project outside the money. If I can get to the point where there is anything of me in the writing, that will change, but right now, that magical property of involvement is locked up in a very real and very impenetrable fortress. And writing anything else feels like stealing from myself.
That’s some catch, that Catch 22. And the proper response, as you know, is “It’s the best one we got.”