Yes, my writing contract is finally renewed/resurrected/whatever. No, my entry did not win the focus group sweepstakes. I’ll still be writing it, as the scope of the project has expanded. I’m being literally literal about that: My entry, which was once a diverting little Twilight Zone-type yarn, has suddenly become an end-of-the-universe tale. Trying to wrap my head around that has been… entertaining. The conflict which the story’s previous version was based upon now seems rather trivial. Except the characters are the same, and it’s not trivial to them.
I’d be in more of a tizzy if I hadn’t just spent a half-hour at the local washateria (turns out 25 year-old washing machines can suddenly decide to just not work. Who knew?) and that half hour was spent with MP3s blaring through earbuds and yours truly scrawling out four pages worth of handwritten story notes. This might turn out to be not so bad.
Many times I find I can come across the solution to a problem by not thinking about it. So I didn’t think about it by watching a couple of movies that were pretty much diametrically opposed in their audiences, except where those two audiences intersected, ie., me.
The first was The Raid 2. I have rhapsodized about its predecessor and its predecessor’s predecessor, so this was inevitable. I was down with the flu the one friggin’ week this was playing at cinemas, thanks a lot Sony. Finally, it came out on blu-ray – of course, the month I was beyond broke. Thank God for Next Projection and a promotional giveaway, which I won, and was finally – finally! – able to watch it.
The words holy and shit get used a lot when you’re watching The Raid 2. Also ow and oof and gaaaaaaah. If you consider The Raid and The Raid 2 as one long story – which it is – and if you get a bit delusional and consider that one long story to be a toothpaste tube, with plot being the toothpaste, then all the plot toothpaste got squeezed over to the Raid 2 end. If you want to find any nits to pick, it would be that the plot is very familiar.
The Raid‘s Rama (Iko Uwais) finds out that surviving the first movie has put himself and his family in real danger. There is a very large portion of the police force that is corrupt, and he finds himself on a very small task force that is bent toward taking the bad cops down. To this end, Rama is sent to prison to get close to one of the mob boss’ son (Arifin Putra). After two years in prison, Rama is released and joins that gang, just in time for an upstart mobster (Alex Abbad) to start a gang war.
That’s a setup we’ve seen many times, from numerous Hong Kong dramas to the TV series Wiseguy. There are certainly enough top-drawer fight scenes to keep holdover fans from the first Raid interested (hell, Rama basically beats up a wing of his new prison home barely 14 minutes into the film), but the final hour of this two-and-a-half hour movie shifts into action movie overdrive, becoming as tense and relentless as the first movie, and culminating in a seven minute-long hand-to-hand fight scene that had yours truly (hardened veteran of more martial arts movies than you’ve had hot meals) curled up into a ball in his easy chair, with a pained grimace on my face.
After three movies which I have loved, there is no doubt in my mind that Gareth Huw Evans is one of the premier action movie directors of our time. He is aided in no small part by Iko Uwais and Yayan Ruhian (who was killed as Mad Dog in the first movie, and returns as another off-kilter assassin in this one), who have formed the core of his repertory company as actors and fight choreographers. It’s surprising how these two, basically martial artists, have developed into such good actors (a quality evident in the team’s first movie together, Merantau). Iwais in particular has magnetic star quality.
I anxiously await the next one. I’ll still have these three movies to keep me warm (and grimacing ow!) until it arrives.
This was something of a surprise hit earlier this year when released in February, traditionally No Man’s Land for movie openings. Once again we have a terribly familiar plot: a prophecy, a doomsday weapon, the Chosen One, the Hero’s Journey. But The Lego Movie has a lot of silly, satirical fun with that increasingly misused plot. The creativity on display is bracing, with little details proving the care the animators put into this. The dazzling, shared Lego universe provides for a lot of surprising cameos, and it’s all such infectious fun I really resented it when the Real World intruded on the story. But that was unavoidable, I suppose, and it does give rise to the best ending twist I’ve seen in a long time.
One of the best reasons to watch it is to consider that the movie’s villain is named Lord Business, which meant that every right wing pundit in the universe was decrying it as an anti-capitalist movie. Right. A movie based on a highly successful toy line and a marketing tool for that highly successful toy line is anti-capitalist. Pull the other one, idiots.
I’m not saying anymore about the movie itself; this is a joy of discovery type movie. If you’ve seen it, you know what I mean. If you haven’t, you should do so at your earliest opportunity.
Now I need to go translate my handwriting.